You Too Can Believe in Gossip Rags

Kimberly Maul, whose publication I am not obsessed with (contrary to her assertion), reports that the OJ deal has gone through. And this time she has a more credible than the National Enquirer. (Perhaps it was Maul after all who wrote the unsigned article and she is now proudly coming out of the closet as relying upon gossip rags for sources!)

By this journalistic measure, I wish to report the following news stories as true:

1. Infant Accidentally Packaged as Doll
2. Hillary Clinton Forced Into Sex Therapy
3. The “Eat What You Like” Diet Will Work for Everyone!

I remain absolutely positive that these three stories will be confirmed by someone credible. And I will, in the puerile spirit of this exchange, then shout “Neeiner! Neeiner! Neeiner!” back to the Book Standard.

You see, kids. You too can be a Web journalist!

Jerome Weeks Embraces Blog Form More Adroitly Than Expected

Jerome Weeks complains about Pynchon and writes (even though he admits that he hasn’t read the entirety of Mason & Dixon), “His best work remains The Crying of Lot 49. There’s something to be said for succinctness.”

I couldn’t agree more (on the succint part, that is). Which makes me wonder why Weeks didn’t just type “I hate Pynchon” and hit the Publish button.

Jack Green’s manifesto holds true in the 21st century.

John Tierney Quits, Compares Himself With Nixon

Editor & Publisher: “After a typically contrarian column today (behind the Times’ paid wall) — in which he said that voters in last week’s election want ‘gridlock,’ not action, in the next Congress — Tierney suddenly announced: ‘Whatever they do the next two years, I won’t be here to kick them around. This is my last column on the Op-Ed page. I’ve enjoyed the past couple of years in Washington, but one election cycle is enough. I’m returning full time to the subject and the city closest to my heart: science and New York. I’ll be writing a column and a blog for the Science Times section.'”

Boy, between him and Jonah Goldberg, conservatives sure seem to be imploding these days. Wonder why that could be?

CONSPIRACY! CONSPIRACY! YOU ARE ALL TOOLS!

Reading Matters’ Kim Bofo serves up this preposterous post, about as absurd a stew as John Freeman’s tsk-tsking of bloggers back in June. Bofo’s apparent beef brisket is that litblogs should report whether or not a book under discussion has been received for free from a publisher. First off, Bofo assumes that, in every case where a litblogger receives an ARC or a finished copy, there is an automatic quid pro quo between publisher and litblogger. This is a preposterous contextomy, seeing as how any sane person is aware that it is impossible for any journalist, whether print or online, who receives fifteen to twenty books a week to review each and every one of them. The litblogger is under no duty to review anything, just as the publicist is under no duty to send free books.

Bofo further inveighs against “the industry’s deliberate manipulation of bloggers to promote books that might otherwise not receive the same level of attention from the mainstream media, and the apparent willingness of many book bloggers to be used in such a manner.”

I haven’t seen a conspiracy this nutty since Oliver Stone. This assumes that all litbloggers are incapable of free will and that they are all incapable of separating the wheat from the chaff. This assumes that they will lavish praise on anything they write about, like the dreaded Harriet Klausners or Nick Hornbys of the universe. It is a position that recalls the smug generalizations within Ortega y Gassett’s elitist tract, The Revolt of the Masses, where only a few select soldiers (which would presumably include that stalwart steed Bofo) are capable of ethics and the moronic masses cannot distinguish between shameful shilling and proper criticism. Well, I happen to think more highly of litbloggers and those who read litblogs than Ms. Bofo.

I didn’t receive the Simon & Schuster email that Bofo did, perhaps because the folks at Simon & Schuster know very well that I would have been adamantly against it. (And who pray tell were the blogs who, according to Bofo, “seemed to be banging on about this book?” In presenting her case, Bofo fails to cite a single example of a litblog transforming overnight into a marketing tool for Simon & Schuster. Further, is it not possible that some of the blogs who raved about Setterfield did so of their own independent accord? Perhaps they did not receive the email. Or must we impute, by Sofo’s paralogia, that all litbloggers are mere tools?)

Bofo, like Freeman, is a journalist as well as a blogger. (Or at least she is a “trained journalist.” A Google search doesn’t reveal a single print byline.) Journalistic ethics are a essential thing for anyone, blogger or book reviewer, to practice. And I should note, with strenuous emphasis, that it is egregious for anyone to accept money (or the promise of such) from a publisher to review a book. But in Bofo and Freeman’s cases, their collective anal retentiveness crosses over into the absurd, no different from the nutjobs who hole up in bunkers waiting for the apocalypse.

[UPDATE: More thoughts on the subject from Matthew Tiffany, Ron Hogan and Michael Orthofer. There’s also some fireworks in the MetaxuCafe thread. And Darby Dixon reveals the sordid truth.]

Dalkey Without a Home?

This morning, the New York Sun reports that Dalkey’s planned move to Rochester has dissolved. The story was also picked up by Publishers Weekly, who reports that Chad Post is uncertain whether it will seek an arrangement with another institution. The arrangement Dalkey has with Illinois State is up on December 31, which gives Dalkey a month and a half to find new digs (or possibly extend the situation with Illinois State). I’ve sent an email to Chad Post with a list of questions to see if I can get any specifics on what went down.

[UPDATE: Jennifer Howard sends along this article, which has some quotes from Chad and John O’Brien.]

Yo, Henry, I’M the Reluctant Blogger

It’s fantastic that former Sun-Times book editor Henry Kisor has taken up blogging. But in a transparent effort to attract my attention, to upstage the careful online presence that I’ve built up over the years, he’s named his blog “The Reluctant Blogger.”

You can fire a gun all you want, Harry, but I am O.G. I was THE FIRST litblogger named Reluctant.

Plus, I can fire a pistol standing up!

New Gray Lady Corrections Policy: No Free Will?

New York Times Corrections: “The article also referred incorrectly to how Mr. Fagles learned Latin and Greek. He did not teach himself while in college; he was taught in courses.”

Has it not occurred to our intrepid team of fact checkers that sometimes the profs are so soporific that one must teach one’s self a few things? Or does the student teach himself nothing?

I realize this is probably a question of semantics and perhaps this is just a case where the Times and I will have to disagree. But I suspect someone at the Times is feeling a bit walked on.

Five Comedies

I’ll take a page from the Black Market Kidneys playbook and unapologetically pilfer the Gray Lady’s idea. Here are five comedies I would take to a desert island:

Our Hospitality 01.jpg1. Our Hospitality: I’ve had countless arguments with film geeks over whether this great Buster Keaton film can be constituted as a classic. And it really boils down to this: your heart either pumps along to the four ventricles behind this film or it doesn’t. Sherlock, Jr. is certainly Keaton’s technical masterpiece. The General is the Keaton’s photographic masterpiece. But, if I had to pick among the three great Keaton films, it would be this one. If only for the great sequence in which Keaton is trying to keep inside the house to avoid being shot and the dog that follows Keaton across the country.

2. After Hours: This is Scorsese’s comedy masterpiece, a woefully misunderstood film that is nothing less than a Candide-like dissection of America, where connecting with others is hindered by people who are ensnared by their own cultural fixations and violence is sometimes the only way out. Is Griffin Dunne really the normal one? Or does his yuppie contentment trigger the madness around him? I’ve never tired of this film, which can be viewed as a deranged laugh riot or a scathing allegory.

oluckyman.jpg3. O Lucky Man! And while we’re on the subject of Candide, I’d be remiss if I didn’t dig up Lindsay Anderson’s great three-hour epic. I’m not certain if O Lucky Man! qualifies completely as a comedy, but it certainly has many funny and fucked up moments. I’ve yet to meet a single American who has loved this film as much as I have, but I’d certainly count this in the top five.

4. The Rules of the Game: Of course, if you’re on a desert island and you’re on a fish and pineapple diet, Renoir’s indictment of the upper class, showing the utter folly of hubris and manners, is mandatory repeat viewing. That way, in the event that you do get rescued, you can remind yourself how not to be self-indulgent.

5. Monkey Business (1931): This is certainly a funny film featuring the criminally underrated Zeppo Marx. But the reason it’s on this list is for educational purposes. There are valuable lessons here on how to sneak aboard an ocean liner. And such a skill set might come in handy, should you manage to escape the island. (I should note that if there was a sixth choice, the fantastic 1952 film Monkey Business directed by Howard Hawks, entirely unrelated, would most certainly be on here.)

Roundup

BSS #79: Mark Z. Danielewski

segundo79.jpg

Condition of Mr. Segundo: Horrified by “misprinted” books.

Author: Mark Z. Danielewski

Subjects Discussed: The origins of Only Revolutions, Hailey’s appearance in House of Leaves, the use of obscure uncanonized words in Only Revolutions (and their various origins), hip-hop, Gene Wolfe, Anthony Burgess, teenagers and vocabulary, how structure affects wordplay, skateboards, the influence of movies, the dots on the right-hand corner, on whether Danielewski is an experimental writer, fonts and typography, leaving room for ambiguity in a taut structure, the urgency in getting Only Revolutions finalized, the leftwrist twist, how the circular symbol came about, and immortality and maturity.

[PLEASE NOTE: The most enthusiastic answer from an author in Bat Segundo history occurs at 32:49.]

EXCERPT FROM SHOW:

Danielewski: I don’t think I’m an experimental writer. I don’t really know what that means, in fact, an experimental writer. For me, it’s always an exploration. I just can’t help but think, you know, when you experiment, you’re kind of tinkering. And this is such a prolonged investigation. You don’t tinker for six years. It’s a long quest to see where something goes. And the thing I really stand by is that I’ve fulfilled the qualities of Sam and Hailey’s journey. Now whether it’s a success or not, it’s clear what it is. It’s not halfly done. It’s wholly, spinningly done. You can either say, I don’t care for it. Or you can recognize, wow, if we go, if we follow this path to its — maybe not its conclusion, but as a long way, this is kind of where it ends up going. And these are the things you get out of it. And these are things you don’t get out of it. And that creates a valid type of conversation.

BSS #78: Richard Dawkins

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Condition of Mr. Segundo: Attempting to set up a tequila-faith based organization.

Author: Richard Dawkins

Subjects Discussed: The audience for The God Delusion, comparing an atheistic text to Satan, evolutionary biology and religion, charitable religious-based organizations, Mother Teresa, whether imaginary constructs are a bad thing, living in the real world, the assassination of Harvey Milk, Twinkies, “In God We Trust” and the American zeitgeist, on Dawkins being “a university person” speaking to university crowds, politics and atheism, Stephen Jay Gould and non-overlapping magisteria, language and religion, Marilynne Robinson’s review, logical positivism, love and perception, sexual lust, on deists being fools, the susceptibility of children, the advertising industry vs. religion, Jesus Camp, and extremists vs. everyday religious people.

EXCERPT FROM SHOW:

Correspondent: What of love? You kind of go into this a little bit into the book. For example, speaking personally for myself, I’m madly in love with my girlfriend right now. But could I tell you — is there any sort of rational basis for this? No, not really. Would I do a lot for her? Well, absolutely. I would do all inexplicable sorts of things, that are completely irrational, for her.

Dawkins: Well, I’m delighted to hear that. I wouldn’t call them completely irrational. If you’re asking, how does either of you know that you love the other, then that is rational. I mean, that’s based upon evidence, that’s based upon little looks, smiles, catches in the voice, things you do for each other. That’s all evidence. Just because it’s subtle and complicated doesn’t make it free from evidence. It is evidence based. Of course, it could be wrong. But that’s always true of evidence-based belief.

Jest Fest ’06

The Howling Fantods has word of Jest Fest ’06, an evening of DFW readings with such luminaries as Time‘s Lev Grossman, The Onion‘s Todd Hanson, Laura Miller, and bigtime DFW junkie John Krasinski (that dude who plays Jim from The Office, who you might recall is trying to get the film version of Brief Interviews with Hideous Men off the ground).

The fun goes down on November 16 at 7:00 PM at Housing Works. Admission is free.

Exclusive Interview With Keith “Sweat” Fury

In New York’s feisty literary dens, there are plenty of people who will go one step further than you. This is because they are essentially talentless and, rather criminally, aren’t working at a gas station somewhere. Unable to understand their lack of talent, they have decided to get angry instead. One can look no further than Keith “Sweat” Fury, head of the new journal, n+2. Not only does Fury hate anyone and everyone who loves literature, but he even hates himself.

Putting out a one-page literary broadsheet once every ten years (the first issue of n+2 has yet to appear, but Fury said that it would come once he had “come back from San Francisco with Dave Eggers’ skull sucking my cock on the jet ride home”), n+2 has become one of the most talked about literary magazines in recent memory, assuming, of course, that your memory extends to how you got that girl home with you last night from the bar whose name you can now not remember. (Along with Fury, Benjamin Cuntless, author of the bestselling I’m More Manly Than You, is a founding editor.)

We caught up with Fury when he was busy berating a barista who had failed to recognize his literary genius but who was, nevertheless, working a twelve-hour shift.

Return of the Reluctant: Did you really have to do that?

Keith Fury: Absolutely. The hate is everywhere until the world recognizes that Benjamin and I are the sexiest, most literary motherfuckers on the planet. We will not stop until we are walking out of the King Cole Bar ready to talk Musil, inflate our hubris and, if we feel like it, snort a few lines of coke off of Marisha Pessl’s chest.

Return of the Reluctant: But how is this really literary? You sound more like Joe Eszterhas circa 1985.

Keith Fury: What we do, Reluctant Boy, is indisputably literary, because we declare it so. For we are, after all, n+2, which is one more than those other interlopers named Keith and Benjamin. In fact, I’ll bet those pussies wouldn’t even last thirty seconds in an arm wrestling match with us. Can those motherfuckers offer epigrams in Russian? No. In fact, I’m so certain they’re a bunch of poseurs that I’m willing to stake my penis on it. If Ben Kunkel and Keith Gessen can outdo us in Russian epigrams, then I will gladly castrate myself. You need to be angry, Reluctant Boy. You also need to boast and always have the sense that you are right.

Return of the Reluctant: But I’m…uh…not angry and don’t feel the need to boast.

Keith Fury: This is not a civics lesson, you spineless son of a bitch. You litblogger! I am angry. I am angry at you. I will have your left arm for breakfast and your scrotum for a midnight snack. Don’t diss the Sweat. Don’t diss n+2.

Return of the Reluctant: When can we expect the first issue of n+2?

Keith Fury: Whenever we damn well feel like it. It’s the most intellectual cohesive issue we’ve ever done. You’ll read it when we’re ready. We may have it out in January. Or February. Or maybe May 2010. See, that’s the way it works here at n+2. I unzip my pants, you suck me off.

Return of the Reluctant: You’re a preposterous man.