Email

If I have been responding to your emails from a year and a half ago, please do not be afraid. I am quite well-adjusted and not sociopathic. This is merely a matter of having a small time window to respond properly to your various messages, and nothing more.

Jason Kottke’s Hubris at Odds with Commonplace Technorati Glitch

Jason Kottke: “Maybe kottke.org has been intentionally excluded because I’ve been so hard on them in the past. Or maybe it’s just a glitch (or two) in their system. Or maybe it’s an indication of larger problems with their service. Either way, as the company is attempting to offer an authentic picture of the blogosphere, this doesn’t seem like the type of rigor and accuracy that should send reputable media sources like the BBC, Washington Post, NY Times, and the Wall Street Journal scurrying to their door looking for reliable data about blogs.”

Shakeup at Perseus

The Counterpoint news was just the tip of the iceberg. Publishers Weekly’s Jim Milliot reports: “As part of its integration of the Avalon Publishing Group, the Perseus Books Group has formed six publishing divisions, an action that will result in the elimination of at least 12 positions and the phasing out of the Carroll & Graf and Thunder’s Mouth imprints. As many as 33 other employees could lose their jobs if they are not willing to relocate or take on new roles. In addition, Perseus will sell its Counterpoint Press imprint to Charlie Winton (see related story). William Strachan, editor-in-chief of Thunder’s Mouth and Carroll & Graf, and C&G senior editor Don Weise are among the editors being let go.”

This is terrible news. I disagree with Perseus Books Group President David Steinberger’s pronouncement that these two imprints didn’t have interesting identities. Carroll & Graf published ambitious literary novels, such as Paul Anderson’s Hunger’s Brides. And Thunder’s Mouth was a dependable press for quirky collections of B-sides from the likes of Jonathan Ames and Rudy Rucker. The closing of these two imprints suggests that idiosyncratic distinctiveness along these lines isn’t part of the Perseus future. Sure, it’s possible that these sorts of titles might be part of other imprints. And okay, the books from these imprints may not have sold. Publishing is, after all, an industry.

But the question, and perhaps the dependable Milliott might investigate this for us, is whether Perseus gave Carroll & Graf and Thunder’s Mouth the kind of resources they devoted to their stronger-selling imprints.

[UPDATE: More from Jeremy Lassen, who calls this “sad, scary news for genre publishing,” including a link to this letter to Avalon employees. Sarah observes that this is bad news for mysteries too. More at Galleycat.]

[UPDATE 2: Levi Asher: “No distinct identity? Absolute bullshit. Thunder’s Mouth covered the counter-culture with both new publications and essential reprints, and in this capacity they represent no insignificant part of my book collection. It’s sad that the corporate parent is dissolving this great company, and it’s offensive that they’re pretending it’s no big deal. Apparently Thunder’s Mouth had no distinct profits, but that doesn’t mean they had no distinct identity. For readers like me, Thunder’s Mouth is — was — a trusted and beloved brand.”]

Roundup

BEA

For those who have emailed me, yes, I will be at this year’s BEA. I will be covering it here on the blog and in podcast form.

I’ve also heard some rumblings that Mr. Segundo may even be there. But I’m doing my best to stop that from happening.

In Defense of W. Somerset Maugham

And I’ll fourth it.

I first encountered the stories of W. Somerset Maugham as an undergraduate in an out-of-print two-volume set that I was extremely lucky to find at an estate sale a few years later. Maugham’s stories were hardly “a creaking reminder of distant colonial days.” Like Graham Greene and Anthony Burgess, Maugham was an expert in depicting British expatriates escaping to tropical isles, attempting to find meaning through run-ins, both carnal and conversational, with these new environs. I’ll have more to say on all this, as well as his Ashenden stories, in a future post when I can find the time.

Roundup

Why Bob Hoover is Okay in My Book

Post Gazette: “For my first author interview, I picked Sir Stephen Spender, the legendary British poet then in his 80s and perhaps in need of a few American dollars. Why else would he speak at a small women’s college in rural Western Pennsylvania? The moment has stayed with me as one of the most painful episodes of my new life as the book reporter. The great man was wrapped in a gray wool double-breasted suit worn shiny with age. The collar of his white shirt was frayed and yellowed at the edges, and his silk tie had survived decades of tea parties. We stared at each other for what seemed a fortnight until I mumbled some inane question and he mumbled a reply.”

John Freeman: Steal From the Blogs; Blogs Are “Presorted”

From today’s edition of The Leonard Lopate Show (“Why Are Book Reviews Disappearing?”), roughly around the 33 minute mark:

Lopate: Is this a growing area? And are people who really care about books going [to literary blogs] to learn about books?

Freeman: To a degree, yes. But it’s all for the presorted. So if you want to read about books, if you want to read about a certain book, you can go to a specific kind of blog or a specific kind of online news site and find coverage there, tailor-made to your sort of ideological or stylistic preferation [sic], uh, preferences. But I think it gets away from the idea of putting as many readers under the same tent as possible and getting them all to participate in the same conversation. So I think if blogs have done anything, a few of them have very cleverly and creatively used new technology in ways that newspapers haven’t yet. But they could certainly start to borrow from and use that to re-energize their website. The New York Times has done it by having a podcast.

* * *

In other words, John Freeman, the man who publicly declared, “I have never been more embarrassed by a choice than I have been with Bruce Bawer’s While Europe Slept. It’s hyperventilated rhetoric tips from actual critique into Islamophobia,” is telling us that blogs are for “the presorted,” that newspapers should pretty much steal all of the hard work that litbloggers have innovated in to carry on.

Meanwhile, John Freeman has mobilized his action using an online petition and by using online conduits to champion for print reviews.

It sounds to me like John Freeman isn’t so much fighting for ongoing literary coverage in newspapers, as he is using the NBCC as a bully pulpit to drown out all voices contrary to his own. (Meanwhile, this “presorted” blog, which covers a variegated array of topics, leaves comments open to everyone in order to facilitate discussion and it continues to maintain the position, without waffling, that literary coverage in all forms must be championed and preserved.)

No word yet on whether Freeman avoids basements in Terre Haute, but given that he considers Pittsburgh to be part of “fly-over America” (when it’s merely an eight hour drive from New York), I’d say the answer’s leaning towards an unequivocal yes.

Screenwriters: All White, All Male, All the Time

Hollywood Reporter: “With the exception of female TV writers, women and minority scribes have made little progress of late in seeking fair employment and earnings in Hollywood, according to a report commissioned by the WGA West released Tuesday.”

The report does not appear to be available online, but I certainly hope that the WGA follows up with these claims by releasing these regrettable income disparities to the public.

Roundup (Been Caught Stealing Edition)

  • Scott smells a rat with Susannah Meadows’ review of Jamestown. I have to agree. Why bother to bring up the dog and penis imagery and not venture a stab as to what it might symbolize? Richard has more and has urged everyone to stop caring about the NYTBR.
  • Another offering in last weekend’s NYTBR was (no surprise) Joe Queenan’s smug and feckless essay on bad books: “Indeed, one of the reasons I became a book reviewer is because it gives me the opportunity to read a steady stream of hopelessly awful books under the pretense of work.” Which is not unlike a food critic boasting about how a steady stream of Burger King meals permits him to remain a manic-depressive. One of the reasons I became a book reviewer is because it gives me the opportunity to read a steady stream of books from people who dare to think and write differently. I start off hoping to love a book and I am immensely disheartened when a book lets me down. As Nathan Whitlock observed this morning, Orwell had some interesting thoughts on “good bad books.”
  • This week at the LBC, folks are offering thoughts on Alan DeNiro’s short story collection.
  • Scott McKenzie examines the myth of stealing ideas. I’ve written before about the “screenwriter” I once met who seemed convinced that her “idea” about a fallen angel had been stolen for the John Travolta film Michael. When I interviewed Guy Ritchie many years ago, I pointed out that his subtitled streetspeak in Lock, Stock & Two Smoking Barrels was similar to the jive speak in Airplane. He told me that it hadn’t occurred to him and that I was the first person to point this out. Outright theft, along the lines of Mencia, is one thing. But the best artists have no shortage of ideas. They are also intuitively aware that creative people sometimes think along similar lines. I do my best not to steal ideas and, if there is some inspiration, I try to attribute it to others. If I know that someone else has set a precedent, I generally try to avoid pursuing the idea until I can come up with my own unique execution.
  • And while we’re on this subject, Good Man Park has found an astonishing emblematic similarity between the “Neon Bible” symbol and vanity publisher Author House. Did the Arcade Fire rip off Author House? I don’t think so. Happy accidents happen.
  • A third digression on this topic and then I’ll stop: Many have remarked on how Queen’s “Crazy Little Thing Called Love” is a grand Elvis homage. But I overheard Elvis playing in a coffeehouse last night and it occurred to me that the “Someone still loves you” part of “Radio Ga Ga”‘s chorus strikes the exact five notes as the fifth stanza line in Elvis’s “Love Me Tender” — A#, A, G, A, A#, if I’m not mistaken. I’m not sure if this was deliberate, but, in light of the song’s commentary on radio’s omnipresence, it does add an interesting nuance to the tune, no?
  • Michiko likes fiction again!
  • Tom McCarthy’s top ten European modernists. (via Messr. Thwaite)
  • The Star-Tribune has cut 145 jobs, and the casualties include James Lileks’ column.
  • Lynne Scanlon invokes an infamous line from Henry VI in her appraisal of book reviewing.

Why Settle for Cornflakes?

From John Freeman:

Several years ago, I had an editor at a newspaper who liked to go over copy by the phone. His edits could be brutal, but he always circled around with a palliative comment to remind me it was all in service of a bigger need. “Remember, John,” he would say, “this is for the guy out in the suburbs eating his corn flakes. He has about five minutes before it’s outside for some Sunday yard work. So you want to tell him something important.”

From Anthony Burgess’s You’ve Had Your Time:

John Coleman in the Spectator said: ‘Not the best of Burgess’s books. Mr. Burgess might curb his inventiveness: he’d be a first-rate comic novelist if the camouflage of another little joke were down and he looked his subject squarely in the face.’ R.G.G. Price in Punch wrote: ‘I do not quite understand why everybody refers to Mr. Burgess as a funny man. He is as accurate and depressing as Gissing, though I agree that he is a Gissing with a sense of fun and an eye for any comedy to be found in his ruined world.’ Do reviewers ever consider that novelists are desperate for help, that they are anxious to be told where they go wrong and what they can do to put things right, and that, before they achieve the dignity of solus reviews and academic dissertations, they have to rely on these lordly summations in the weekly press?

Rachel Cooke: It’s the Author Photo, Not the Book

Rachel Cooke writes: “It wasn’t the hype that turned me off, nor the stories about how she’d been ignored as a novelist for years (Kevin was published by the small independent publisher, Serpent’s Tail); it was more that whenever she appeared in the newspapers, she seemed to be so… belligerent. Her book reviews were bordering on the vicious and in her byline picture, she wore a sleeveless denim shirt and matching frown that made me think I wouldn’t want to meet her late at night in a dark alley.”

When I talked with Lionel Shriver for an hour last month, I didn’t find her belligerent at all. She just doesn’t suffer fools gladly and is unafraid to speak her mind. I found her to be sharp, acerbic, and among one of the most fascinating people I’ve talked with this year. And I should also note that she answered every provocative question I put to her, even some of the half-baked ones.

Even so, I’m appalled that Shriver’s looks or manner would have any bearing upon whether her novel is any good. I don’t see book critics applying this kind of criteria to men. Why then should they dwell upon what an author photo has to do with an author’s work?

Then again, Rachel Cooke is the same person who was content to sling generalizations about bloggers. That Cooke is more willing to devote two paragraphs to being “Lionel Shriver’s number one fan” instead of offering specific examples on why The Post-Birthday World is an “unreadably plodding and obscure novel” says more about Cooke’s vapid literary standards than any sufficiently critical take on the book. If this is the kind of flimsy flummery that Cooke wishes to spew into the world, then she should be writing for Metro instead of The Observer.

(via Bill Peschel)

More Bat Torrents

Torrent Packs #2 and #3 of The Bat Segundo Show have been released to The Pirate Bay.

Pack #2 contains Shows #21-40, and features interviews with William T. Vollmann, Dana Spiotta, Erica Jong, Sarah Waters, Tom Tomorrow, Harvey Pekar, and many others. You can download the torrent here.

Pack #3 contains Shows #41-60, and features interviews with John Updike, Colson Whitehead, Jonathan Safran Foer, David Mitchell, A.M. Homes, Jeff VanderMeer, and many others. You can download the torrent here.

Hades

Karen Long, first, poked her bookediting head into the creaking carriage and, entering deftly, seated herself. Mr. Litblogger, disheveled and unnamed, stepped in after her, curving his metacarpals with care.

— Come on, Litblogger.

— After you, Mr. Litblogger said.

Mr. Reader covered himself from the spume and venom and got in, saying:

— I like to read.

— I know but isn’t Mr. Litblogger gleeful? Karen Long asked. Come along, Reader. I promise long-term.

Mr. Reader entered and sat in the vacant place, all printed and blogged for his perusal. He flipped the laptop open and fired wi-fi to find offerings and, seeing nary a difference, looked seriously from the open carriage window at the lowered blinds reminding him of divide between Long and Litblogger. Outside another reader aside: an old woman weeping. Books section flattened, no winners. Thanking her stars she was passed over. Extraordinary the interest they take in a needless corpse when there was time for resurgent vivacity.

— Gleeful how? asked Mr. Litblogger. Examples?

— Never you mind, said Long.

— I like to read.

Mr. Reader saw fists fly between Litblogger and Long and, having not anticipated violence, asked the carriage to stop. Reader wanted book recs, not strings of resentment.

— You two duke it out, said Reader. I’ll travel elsewhere.

Roundup

Believe It Or Not, There Are More Podcasts Coming

In case the recent slate of podcasts wasn’t enough for you, there are still a good deal of podcasts to come very soon, including coverage of Alternative Press Expo (which includes an audio intervention with a bunch of people from the CW Television Network), an author who returns for a second appearance (and this interview is crazier than the first), and, of course, Carolyn’s interview with LBC Read This! author Alan DeNiro. Stay tuned!

BSS #114: Marshall Klimasewiski & C. Max Magee

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Condition of Mr. Segundo: Vacating from vacations.

Guests: C. Max Magee and Marshall Klimasewiski

Subjects Discussed: Drawing upon compartmentalized personal experience, writing unpleasant characters, sabbaticals, maintaining an ever-shifting narrative, writing short stories vs. novels, characters stuck in environments, protracted scenes, human connection vs. work, locals vs. vacationers, John Ruskin, Charles Dodgson, co-opted misfits, and invention vs. personal experience.

EXCERPT FROM SHOW:

Klimasewiski: The odd thing for me — and I don’t know why this is — is that I found Cyrus so much easier to write, even though I don’t think I’m a writer with a really terrific memory. And so therefore I don’t have this great sense of exactly what it was like to be nineteen, or to live inside my own nineteen year old mind. And yet he was so much easier for me to write than the cottagers, who demographically are much closer to me and to people I know. Yet I had a terrible time making them seem to come alive or feel credible in some way in my mind.

(A co-production of the LBC, Pinky’s Paperhaus and The Bat Segundo Show.)