It’s Really All About Andrew Keen’s Ego

Reports from the Los Angeles Times Festival of Books blogging panel are coming in:

Carolyn Kellogg: “Instead I would have loved to have a topic like: ‘litblogs — what’s good, what’s bad, what’s next?’ I know what I’d like to do more of (I think it’s a congenital blogger condition to be cursing oneself for not fill-in-the-blank), but I want the bigger picture. What does it take for a litblog to be successful – voice? genre? regular posting? Have we made any big mistakes (like engaging n+1 in an argument over an article critical of litblogs — an article they never put online)? What exciting, fun things are happening in the litblog world? I would have loved to hear what Tod and Ron and the audience thought.”

Ron Hogan: “I spent most of my time veering away from the money question (after pointing out that I’d figured out how to get paid) and hammering at the notion that online media is inherently less reliable and more susceptible to corruption than its traditional counterparts, and, in the particular case of book reviewing, the online media were frankly picking up the slack for the dwindling coverage in print. Somewhere along the line, Keen said something like, ‘I just think we have enough media already.’ Frankly, I sorta boggled, and called that an incredibly stagnant notion. ‘We have enough books already, too, but we keep publishing new ones,’ I went on. ‘We have enough movies to watch… The horse and buggy was a perfectly good way to travel, what do we need cars for?’ (I’m slightly paraphrasing here; the transcripts and, with luck, an audio recording of the event should be available online one day from the Times.)”

BookFox: “What I found disconcerting was that the panel seemed to revolve around Andrew Keen – his book and his assertion that the only possible model for online content is one that pays financial dividends. Everyone kept mentioning his book The Cult of the Amateur – usually attacking one premise or another – and for most of the conversation, the panel focused on the problem of money. So it seemed that rhetorically, the conversation revolved around rebutting Keen’s arguments, giving him the high argumentative ground, rather than the bloggers being able to establish a neutral space to discuss the facts.”

The Elegant Variation: “Keen’s overriding concern was with the absence of a sustainable business model in the blogosphere, and the problems inevitable for institutional media once the audience gets hooked on free content. As a corollary, when the institutions falter, the superiority that Keen claims for professionalism disintegrates. He claimed that a form of expression that anyone can do is so easily imitable that the risks of corporate corruption and abuse are huge, and the reader is vulnerable not only to some weak-ass literary criticism but out-and-out fraud.”

My response to the muddled arguments in the first 30 pages of Keen’s book can be found here. I am hoping to address the book’s balance in future posts.

Roundup

BSS #110: Tao Lin

segundo110.jpg

Condition of Mr. Segundo: Rattled by interlopers.

Author: Tao Lin

Subjects Discussed: Murakami meets Less Than Zero, the violent impulses of animals, Elijah Wood, Gmail chat as muse, Instant Messenger, one-sentence poetry, figuring out things and calming down, Ann Beattie, Tao Lin’s Wikipedia entry, organic vegan food, the moral and existential nature of fiction, shit-eating grins, cutting-edgeness, Domino’s Pizza, writing in literary journals, Melville House, writing a Nerve story, mangling grammar, feeling interminable, Monica Lewinsky, posting email publicly, privacy, Jason Fortuny, Salman Rushdie, the girls suspended over The Vagina Monologues, and fun.

EXCERPT FROM SHOW:

Correspondent: I note that the stories in Bed are surprisingly realistic. There aren’t much in the way of dolphins or bears or the like. So what caused these bears and dolphins to kind of enter into the equation? Did you find them to be a friendly presence to draw upon?

Tao Lin: Well, after I finished the novel in a realistic fashion, I kept on working on it. And I just felt bored by it. I thought it needed something exciting. So I just went through. Whenever there’s a bored part where I felt bored, I deleted something and added the animals.

Correspondent: Now these dolphins are rather murderous. They actually go after Elijah Wood and company. What accounts for these violent impulses of these animals then?

Tao Lin: I just thought it was fun to write having a dolphin murder Elijah Wood.

Correspondent: But this is Elijah Wood we’re talking about. Has Elijah Wood ever done anything to you personally?

Tao Lin: No, he hasn’t. But did you think I was mean against him? That I was mean against him or that it was just playful?