Posts by Edward Champion

Edward Champion is the Managing Editor of Reluctant Habits.

Audio Drama: “Same Age Inside”

On August 25, 2020, we released “Same Age Inside.” This is the third chapter of our massive epic, “Paths Not Taken,” which takes place from 1994 through 2023 in two parallel universes. This seven part story is part of the second season of The Gray Area. You can follow the overarching story through this episode guide.

This is the most ambitious story we have ever told. It takes place in two parallel universes and follows numerous characters between 1994 and 2023. “The First Illusion” is the second chapter of an exciting seven part epic that involves parallel universes, lost love, identity, forgiveness, compassion, fate, fortune tellers, mysterious Englishmen, strange interdimensional creatures named Chester, a wildly exuberant alien fond of hot dogs and Tony Danza, and life choices.

You can listen to the first chapter here and the second chapter here.

Here are a number of useful links: (The Gray Area website) (the iTunes feed) (the Libsyn RSS feed) (the Podchaser feed)

For listeners who don’t want to wait two weeks for the next chapter, we also have all seven parts (as well as a great deal of behind-the-scenes material) available for Season 2 subscribers at grayareapod.podbean.com.

Here’s the synopsis for Chapter Three:

While on the run from a wild interdimensional beast named Chester, Chelsea learns of electromatter, the surprising ubiquity of Tony Danza, and the multiverse. But the alarming differences she discovers about the universe she’s become part of threaten to topple her efforts to reconnect with Maya and Alicia. (Running time: 26 minutes, 25 seconds)

Written, produced, and directed by Edward Champion

CAST:

Chelsea: Katrina Clairvoyant
Alicia: Elizabeth Rimar
Maya: Tanja Milojevic
Jill Swanson: Ingeborg Reidmeier
and Zack Glassman appeared as The Receptionist

Background Voices by Alexander Bill, Brandon P. Jenkins, and Tal Minear
Creature Voices by Samantha Cooper and Rachel Baird

Sound design, editing, engineering, and mastering by a bald man in Brooklyn who once grew a mustache and shaved it off two weeks later because he looked preposterous.

The “Paths Not Taken” songs were written and performed by Edward Chmpion

Incidental music licensed through Neosounds and MusicFox.

Image licensed by Getty.

Thank you for listening!

If you’d like to support this independent audio production and learn more about how we made it, for only $20, you can become a Season 2 Subscriber! You’ll get instant access to all episodes as we finish them — months before release. Plus, you’ll get access to exclusive interviews and more than 400 minutes of behind-the-scenes commentary! Here are some behind-the-scenes photos and videos pertaining to this episode that we made during the more than two years of production we put into the second season.

Behind the Scenes:

An earlier version of the Part 3 song (with slide):

The Sociopathic Pundit Class: The Casual Cruelty and Uselessness of Jonathan Chait and Olivia Nuzzi

The moral turpitude from the monsters who crawl on Vesey Street was very well-known in the five boroughs even before the pandemic. Just before any New York Magazine staffer entered a venue, the bartender would clang a bell and announce to the barflies with a stertorous holler that they could stay at the bar at their own peril. The door would open with an ominous squeak and the bartender would distract the vicious predatorial arriviste with charm and, if necessary, a free drink to avoid an Adam Platt takedown. It wasn’t always easy to appeal to the New York contributor’s narcissism and barracuda-like hello in these first vital minutes. But the bartenders did a decent job, even when their lives sometimes ended that very night.

The bartender’s honorable distractions usually offered you a few minutes to give the New York contributor the slip. You’d flatten bills on the bar, placing them just under the check presenter, and then you’d discreetly walk away, hearing the bloodcurdling sounds of the New York writer planting his vampiric fangs into the bartender (along with the bartender’s helpless screaming). You hoped that the generous tip would be enough to help cover the bartender’s funeral expenses. We New Yorkers do try and look out for each other.

Or, to put it a less inventive way, approximately 85% of the people who work at New York Magazine have the moral instincts of a striped hyena.

This is all common knowledge in media circles. Actual facts.

The striped hyena will often pretend to be dead when attacked and will stop at nothing to attack anyone — even a predator of greater size — in a dispute over food or, in this case, the expression of needless cruelty. Follow any New York contributor who gets pushback for a vile and disproportionately callous tweet and the New York contributor will pretend as if she is dead and not there. Which is precisely what Jonathan Chait and Olivia Nuzzi did in the last few days, of which more anon.

You see, these contributors are secretly savoring your attention in their notifications! They’re converting your likes and favorites to justify why their mediocre thoughts should translate into regular television appearances! They are forwarding all of it onto editor-in-chief David Haskell to prove — in an age of heightened media layoffs that always wound the wrong people — just why they should remain employed after writing such garbage hot takes as “Why Liberals Should Support a Trump Republican Nomination” when they’re refusing to disclose their conflicts of interest. (Jonathan Chait’s embarrassingly smug and insufferable article, which seriously suggested that Trump’s Presidency would follow the flagstones established by Arnold Schwarzenegger as California Governor, was rightly named one of “the worst takes of the 2010s” by The Outline.)

New York contributors — specifically, the sophomoric and sociopathic pundits Jonathan Chait and Olivia Nuzzi — represent a repugnant breed of amoral Chuck Tatum types who view real life as a joyless sudoku puzzle to be filled in with superficial findings. Chait actually believes he’s some intellectual, but lacks any ability to discern clear satire or to comprehend common lingo. Nuzzi masquerades as as journalist, believing that a white supremacist’s musical taste represents some unique human insight that will make her name. And the media scarfs this up. When Spin‘s Jeremy Gordon actually followed up with Depeche Mode on the Richard Spencer question, it was a dark day in journalism. But even Gordon was savvy enough to understand that there was something preposterous in running with such a story. It’s a pity he never thought to go to the source of this nonsense, which was Nuzzi, and interrogate why such a nothingburger “bombshell” from a white supremacist resonated as much as it did. But then media people trust media people too much.

Journalism should never be about superficial attention. But when you’re as mediocre as Chait and Nuzzi are (and it’s worth nothing that Nuzzi really wants to be Ann Coulter: so stop calling her a journalist already), when you never have anything fresh to say, it’s often necessary to venture into bestial waters and play the attention economy game.

From Jonathan Chait during the afternoon of August 21, 2020:

From Olivia Nuzzi on August 20, 2020:

Both of these tweets are without wit or humanity. It says a great deal about New York Magazine’s hideous atmosphere and Haskell’s complicit approval of eyeballs by any means necessary that these tweets would be published within days of each other.

I have my issues with Joe Biden. But you would need a heart of stone to not be genuinely moved by the way that Biden reached this stuttering kid and gave him hope. So much hope that the kid went onto support him at the Democratic National Convention. Chait isn’t delivering a “spicy take.” He’s conveniently ignoring responsibility for his vile words, falsely claiming that there was something more “refined” to his tweet. No, there isn’t. And isn’t it funny how pundits never seem to have the time to address criticism?

Political leaders have always taken time out of their schedule to speak one-on-one with their constituents. It’s literally part of the job. And in the case of Biden, it most certainly is “high-leverage use” of his time.

As for Nuzzi, she’s a cocky and callous 27-year-old who sold her soul for a pittance. One would expect someone to turn into a heartless cynic much later in life. But that is not the Clay Felker tradition and Nuzzi is on the Ann Coulter fast track. Nuzzi is, of course, referring to how Biden lost his first wife Nelia and his one-year-old daughter Naomi in a 1972 car accident and how Biden also lost his son Beau in 2005 because of brain cancer. Aside from the complete dismissal of how trauma, or grief, has become one of Biden’s most effective ways of connecting with people, Nuzzi fundamentally does not seem to understand the way trauma works. Much like depression, one can relieve trauma throughout one’s life — sometimes in crushing waves, sometimes in little rivulets. That Biden has used his trauma to relate to everyday people should be the focus here. That he also used trauma to give a crying Meghan McCain solace on a memorable 2017 appearance on The View should also be worthy of attention. This is where the pundit should opine. You take in the obvious developments and offer a unique spin. But, like Chait, Nuzzi has nothing but repugnant superficiality.

Chait and Nuzzi are woefully unsuited to opine about this election. Because, for professional sociopaths like them, empathy never factors into the political picture. Even after hope and empathy were the basis of Obama’s meteoric rise to the White House in 2008. Even though empathy was the very message Biden was offering in his final night speech at the DNC.

Empathy is, in short, the very quality that any pundit should be focused on during the next 74 days. It is the very quality that helped Biden to raise $70 million during DNC week. But if you don’t actually have empathy — as Chait and Nuzzi clearly don’t — then you’re in no position to offer useful context in this presidential election.

Chait and Nuzzi’s disgraceful tweets were roundly ratioed. But they were both too cowardly to respond to the complaints. They couldn’t read the room. And if you can’t read the room, you have no business calling yourself a journalist, a pundit, or a media expert of any kind. Especially when you dance around the truth like a sociopath.

A Very Special Democratic National Convention

I watched much of the interminable DNC coverage tonight, waiting for Jerry Lewis and Sammy Davis, Jr. to show up, and I’m sorry, but I demand better. Business as usual isn’t going to rid us of that evil man in the White House. This is the most important election of our lives. Phoning it in with condescending montages and feel-good bullshit isn’t going to cut it.

Aside from the passionate pizzazz from Bernie, who decried authoritarianism against the incongruous backdrop of chopped wood, and Michelle Obama’s mild concession that Trump was ill-suited to the Presidency (which is a bit like saying that breathing in carbon monoxide is bad for you: sure, it’s something you need to say, but it’s hardly the foundation for the brio one sees in, oh say, the good King rallying the troops in Henry V), this was a largely comatose affair that could have played on any UHF station twenty years ago, complete with a cameo from Tom Vu telling you to come to his seminar. And even if my ridiculous transposition were to actually transpire, I’m pretty sure Vu would have been the liveliest and most memorable figure.

Fake smiles propped themselves up, tendering platitudes and quips that could have been cribbed from a cornball Hallmark card. Kloubuchar’s sham dentition, in particular, was truly a phony crocodile look for the ages. I’ve seen that self-serving look espoused by far too many cutthroat types in corporate boardrooms. But few of these speakers had any plans and they never espoused anything close to real empathy over the many people suffering throughout the nation right now. Even an In Memoriam montage for the 170,000 Americans killed by COVID played at a remarkably brief clip, as if some twitchy kid hopped up on Mountain Dew in the control room was randomly determining the trajectory of the broadcast. John Kasich looked as if he was between holes on a golf course and looked eager to return to the game. You resented him for being there. Eva Longoria looked better prepared to host some VH1 special rather than one of the major political congregations of the year.

Where was the true compassion for the millions of Americans who are unemployed or who face eviction right now? Where was, in short, the real emotional conviction? We’re living in a hellscape. Let’s not forget that. Read the national temperature and it’s pretty clear that this isn’t the kind of environment that you organize a harmless little potluck over. We are in a place that demands mobilization and action and passion and conviction. Sure, it’s nice to know that Biden talks to regular people while riding Amtrak. But it’s a sign of how far our standards have plummeted that this tepid corporate nonsense, with its overwrought tunes and those relentless bullet points of info reminding what each speaker had done, has apparently caused so many to mist up or to express “how proud” they are to be a Democrat. It turns out that being a risk-averse neoliberal is a bit like being a member of Rotary International. You pat people on the back for saying nothing special and then you use your card to get the 10% discount at Denny’s.

Frankly, I was mostly appalled and deeply uninspired. Only Bernie’s promised appearance tonight kept me watching. You can’t act as if the millions of people from many backgrounds who mobilized behind Bernie never existed. Hell, you can’t pretend that real working people and real unemployed people who are seeing their life savings and mental health nosedive don’t exist. The Democrats are making the same damn mistake they always have. They act like the party of the middle-class and they never come across as the party of the people. And if they’re not careful during the next three nights, Trump is going to swoop in just as he did in 2016 and speak to these very real people in ways they want to hear. And these people, desperate for anything, will buy it. And we’re going to be in a sizable cesspool from which we will probably never be able to escape. The hell of it is that mainstream Democrats never want to hear this. But they’re the ones who really need to. Because they’re the ones who put their fingers in their ears and say “Ka Ma La I can’t hear you.”

I’m starting to fear we’re going to lose this. And we really can’t. If Trump is re-elected, it’s going to permanently break our country. I’d put my own passion into trying to get people to vote for the greater good. But the problem here is that the so-called greater good gives me nothing to be passionate about. And I’m not someone who is ever going to offer fake passion. It’s the job of the Biden campaign to close the deal. And the present presentation format simply isn’t going to cut it.

Audio Drama: “The First Illusion”

Yesterday morning, we released the latest episode of The Gray Area.

This is the most ambitious story we have ever told. It takes place in two parallel universes and follows numerous characters between 1994 and 2023. “The First Illusion” is the second chapter of an exciting seven part epic that involves parallel universes, lost love, identity, forgiveness, compassion, fate, fortune tellers, mysterious Englishmen, strange interdimensional creatures named Chester, a wildly exuberant alien fond of hot dogs and Tony Danza, and life choices.

You can listen to the first chapter here.

Here are a number of useful links: (The Gray Area website) (the iTunes feed) (the Libsyn RSS feed) (the Podchaser feed)

For listeners who don’t want to wait two weeks for the next chapter, we also have all seven parts (as well as a great deal of behind-the-scenes material) available for Season 2 subscribers at grayareapod.podbean.com.

Here’s the synopsis for Chapter Two:

It’s January 11, 2011. The world is similar, but it is also quite different. Chelsea reconnects with her best friend Alicia and takes the opportunity to correct her past mistakes, including rebuilding her relationship with Maya. But the shadow of her abusive mother and the presence of an eccentric man who is quite keen on hot dogs and the benefits of being obsequious may uproot this hard-won battle to claim a better life. (Running time: 52 minutes, 6 seconds)

Written, produced, and directed by Edward Champion

CAST:

Chelsea: Katrina Clairvoyant
Maya: Tanja Milojevic
Alicia: Elizabeth Rimar
Young Chelsea: Nathalie Kane
Carolyn: Emma Smuyla
The Waiter: Jack Ward
Jill Swanson: Ingeborg Reidmeier
Thomas: Philip O’Gorman
Chelsea’s Mother: M.J. Cogburn
Hysterical Diners: Alexander Bill, Brandon P. Jenkins, and Tal Minear
and Zack Glassman as The Receptionist

Sound design, editing, engineering, and mastering by a bald man in Brooklyn who lost every apple bobbing contest he ever participated in during the last five summers.

The “Paths Not Taken” songs were written and performed by Edward Champion

Incidental music licensed through Neosounds and MusicFox.

Image licensed through Getty.

Behind the Scenes:

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I spent my birthday initiating the first of many recording sessions with the remarkable @katrinaclairvoyant and I honestly can't think of a better way to celebrate one's yearly climb to natural obsolescence than making a ridiculously ambitious audio drama — especially with the lead role in a very epic Season 2 story. Katrina and I, who have had many preproduction conversations to get her wildly dimensional character right, bonded instantly over our mutual love of cornball puns and dressing up like zombies for Halloween and various theatrical endeavors. One funny aspect of our collaboration is that we had such a fun time recording together that I actually had to dial down my joke cracking and cheery demeanor to make sure she landed some of her intense moments. "Stop, Ed," said Katrina frequently. "You're making me happy!" Katrina is not only a great talent with marvelous instincts who seemed to come out of nowhere and absolutely GET what I was trying to do incredibly fast, but she is also a bold playwright. She's recording these sessions even as she's directing her own chance-taking play, "Our Father." Which really tells you how committed she is! But Katrina is also an incredibly kind and easygoing type, which you sort of have to be when you're working on something sui generis. As Flaubert once said, "Be calm and orderly in your life and violent and original in your work." And we were definitely hitting those points today! And honestly I couldn't be more thrilled! This is going to be an incredible story. #audiodrama #acting #happy #character #flaubert #recording #theatre

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Today I began my recording sessions with the marvelous @earimar, who was loads of fun. Liz's character is modeled somewhat on @alisonbechdel — particularly a conversation I had with Bechdel years ago in which the very smart and intuitive Bechdel sized me up and asked (rightly) if I was okay. I never forgot that conversation, which meant a great deal to me and revealed how many of us are looking out for each other in ways we don't often know. From these roots of common empathy many years ago came this slightly punkish autodidact principal role in an epic tale about how we love and understand others and must carry on embracing the humanity we have in common. I loved working with Liz. Really, I lucked out big time with her. Like me, she's a fast-talking ruminative type who is extremely subtle about the many expressive streaks she has inside her. And whenever I saw her instincts veering in that direction, I brought them up in the performance. At one point, I saw that she really wanted to deliver a line in a funny voice but was holding back. And I said, "Okay, try this in a prim, proper British voice." And she did and it was hilarious and soon we made speaking occasionally in a funny voice a subtle part of the character. And it worked! And it didn't get in the way of the character's edge or heart. When you're lucky enough to work with an actor who knows how to riff on AND respect your material, you are a very fortunate director indeed! And I found myself giving Liz a lot of "iceberg theory" notes just to see what she'd come up with. #acting #audiodrama #directing #improv #character #tone #alisonbechdel #empathy #humanity

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I'm now on the road. So pardon me if my thanks to the many cool people I met are delayed. But today I had the honor of recording with the extraordinary Tanja Milojevic — the first lines of a very large role in Season 2. I cannot convey how incredibly nice and amazing she is. (Her dog is a sweetheart too!) Tanja and I worked very closely to get the cadences of a scene just right — and I'm telling you, I got a bit misty-eyed recording it. When two people are committed to very high standards, as Tanja and I both are, they often bring out the best in each other. And this session was so much fun and so layered with vital emotional depth that I really cannot wait to hear how this turns out. Many thanks to Steve Schneider, a wonderful man who generously let us stick around and record in his basement. Also a thank you to all the audio drama producers who accommodated me yesterday for the recording of a dystopian anthem! Now on my way to my next not-in-NYC actor! #recording #acting #audiodrama #character

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This morning, I had the great honor of recording with @emmasymula, a remarkable young actor who was so good that she beat out dozens of people for what turned out to be (much to my surprise) a very popular role and had me travelling all the way to Vermont to get these vital lines in the can. Emma is the first teen actor I've worked with on The Gray Area. And she certainly won't be the last. Apparently I have a decent ear for teen dialogue. I so enjoyed working with Emma that I'm definitely going to try my hand at a YA audio drama story down the line. One of the funniest parts of this session was filling in Emma on a cultural event that happened before her existence! But we watched YouTube videos and I offered modern day parallels (Emma was surprised when I was familiar with her favorite musician). And we were off to the races (in one point, literally running!), with Emma tapping into the character's subtleties (including an instinctive snappy quality she came up with that I weaved into the other lines). Emma is terrific and I urged her when we were done that she needed to take acting classes. Because Emma has wonderful instincts that years of training would transform into something truly formidable! #acting #recording #vermont #audiodrama #character #instinct #performance

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Reccording kids for the park scene.

Recording the cliffhanger (what it looked like for the actors)

Audio Drama: “Paths Not Taken”

Yesterday, I released the first of a seven part epic called “Paths Not Taken.” This epic, which has been a good two years in the making, is the centerpiece of the second season of The Gray Area, an ongoing audio drama that won the Parsec Award during the first season. The full tale involves time travel, parallel universes, lost love, identity, forgiveness, compassion, fate, fortune tellers, mysterious Englishmen, life choices, AI, revolutionaries who argue about breakfast, and a great deal more.

This is the most ambitious story I have ever told. It takes place in two parallel universes and follows numerous characters between 1994 and 2023. “Where Are the Lads of the Village Tonight?” — named after a pre-World War I novelty tune written and composed by R.P. Weston and Herman Datewski — is the first chapter. On one level, this is a very meticulous character study. The writing came after I spent a good six weeks doing field research and conducted numerous interviews with women to ensure accuracy, authenticity, love, and respect to the LGBTQ community. On another level, the entire epic is also a fun romp involving a winged intedimensional creature named Chester, a goofy alien obsessed with Tony Danza and hot dogs, and a lot of interdimensional travel.

You can listen to the first installment below:

We’re going to be releasing “Paths Not Taken” every two weeks between now through October. You can either wait for the next installment every two weeks or, for $20, you can purchase a Season 2 subscription pass to not only listen to all the episodes, but also access the scripts as well as a great deal of behind-the-scenes material.

There are many ways to keep tabs on The Gray Area. You can do so through the main website, subscribe through iTunes, Libsyn, Podchaser, Stitcher, or Spotify.

While all of the stories can be enjoyed on their own terms, there are numerous hidden connections between all the stories for the attentive listener. Feel free to consult this episode guide for the entire series to follow the entire narrative trajectory.

Here’s the synopsis for Chapter One:

Chelsea Needham was once among the foremost leaders in tech. But something happened involving a fire and a death. And it got in the papers. Rumor reared its ugly head and Chelsea lost everything she had, with only a few friends left. While recovering from alcoholism, self-destruction, and losing the love of her life, Chelsea meets an enigmatic gentleman from England and a strange fortune teller who may have the answers to how she can reclaim her identity.

(Image licensed through Getty)