Meditations on a Pizza Delivery Man

He walked westward on Washington Street, carrying a burgundy bag cloaking pizza boxes, as if it were a faux pas to reveal cardboard in the Financial District. In his other hand, two white plastic bags, containing fixings, the top ends neatly twisted in the same relentless knots found in some Chinese restaurants. He was ignored by everyone else. You might even say that, aside from my five-second glance, I ignored him too. Why exculpate myself? What business did I have with the man? It wasn’t as if he was bringing me food. And even if he was, it wasn’t as if I’d get to know him, or ask him about the sports or the weather, let alone his name. The only thing I’d probably do is tip him generously. Perhaps more so than the investment bankers he was delivering lunch to, if I were to rely upon the remarkable tip-to-income inverse ratio described by acquaintances who worked in the food service industry.

He remained unnamed, as anonymous as a soldier in a tomb. Not even a name tag. Instead, the red pizza uniform and the slightly mystified and resigned look revealing why he, a man of thirty-five or so, was still delivering pizzas at his age, and how the advancing years had made him more invisible, and how he had quietly accepted his lot.

I took in many details in five seconds: his unsmiling face, the way he hid his eyes beneath sunglasses (it was a sunny day, but not that sunny), the white flecks settling into his dark hair, a torso neither muscular nor paunchy, but perfectly nondescript. Did he have a wife and kids? What were his hobbies? Did he have a second job? Did he have health care?

I thought of the pizza delivery man when I stood in line for lunch. And I fell quietly into line with the rest of the suits. I was an utter hypocrite. And there were more people there, paid to service us, with soft lines beneath their eyes and fabricated smiles to last the afternoon. I couldn’t eat easily. Because I kept thinking to myself: at what cost this food? Not the monetary cost, but the price I had paid in basic human decency. “Thank you” and brief pleasant talk didn’t cut it. This was the current economy. This was the human food chain.

Blogging Entrepreneur in Action

tomvu.jpgI’m Jason Calacanis! Come to my seminar! Look at the choices I have today! Would you like to have choices like this, someday? I became a multimillionaire from blogging. They kept saying, “Jason Calacanis, you’re a crazy nut. Here you are a smug white boy. Look at all the people out there! They’re smarter than you, and they’re not even rich! Who are you to try?” And you know what? I had to keep telling all these people, “You a loser! Get out of my way! I make it on Technorati somehow!” If you want to rise to the top of the blogs, come to my seminar, let me share with you the three little words that can change anybody’s life. I have a beautiful mansion, luxury cars, yachts, and dozens of babes as my arm candy. Come to my seminar and I’ll tell you how you can get all these things through blogging!

Details on Gilbert Sorrentino’s Final Novel

Golden Handcuffs Review has an excerpt from Gilbert Sorrentino’s last novel, The Abyss of Human Illusion, completed a mere month after Sorrentino died. They’ve also been kind enough to include Christopher Sorrentino’s afterword, in which Sorrentino spills, “The title is taken from Henry James’ story, ‘The Middle Years,’ in which Dencombe, an ailing older writer ‘who had a reputation” — mostly for disappointing sales — sits at the edge of the sea, indifferently holding a copy of his newest book (also called The Middle Years), still in the envelope in which it has been forwarded by his publisher, considering his own incapacity for wonder, surprise, astonished joy.”

As of yet, there appears to be no publisher lined up for this book. I have emailed Coffee House Press, who has published many of Sorrentino’s last few novels, as well as Christopher Sorrentino himself to determine what the current situation is.

(via This Space)

[UPDATE: Christopher Sorrentino reports that there is “a handshake deal” with Coffee House Press and that he is now in the process of interpreting sections of his father’s manuscript, which includes having to guess what certain notations mean and reading near illegible handwritten script. Since Christopher is a talented novelist in his own right (see the NBA-nominated Trance), I can think of no better candidate for the job.]

[UPDATE 2: Coffee House likewise reports that this is the case. While there are no firm details as of yet, sometime after May 2008 looks to be the pub date.]

Of Course, This All Assumes That Humans Aren’t Animals

New York Times: “Dr. de Waal, who is director of the Living Links Center at Emory University, argues that all social animals have had to constrain or alter their behavior in various ways for group living to be worthwhile. These constraints, evident in monkeys and even more so in chimpanzees, are part of human inheritance, too, and in his view form the set of behaviors from which human morality has been shaped. Many philosophers find it hard to think of animals as moral beings, and indeed Dr. de Waal does not contend that even chimpanzees possess morality. But he argues that human morality would be impossible without certain emotional building blocks that are clearly at work in chimp and monkey societies.”

RIP Freddie Francis

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Guardian: “The American film critic Pauline Kael wrote: ‘I don’t know where this cinematographer Freddie Francis sprang from. You may recall that in the last year just about every time a British movie is something to look at, it turns out to be his.'”

Variety: “Although he received his greatest acclaim as a lenser, with numerous nominations and prizes for his work on films such as ‘The Straight Story,’ ‘The Elephant Man,’ ‘The French Lieutenant’s Woman’ and ‘Cape Fear,’ he also had a successful career as a director of horror movies in the 1960s and ’70s for cult British studios Hammer and Amicus.”

Tim Lucas: “Francis was the absolute master of one of cinema’s most beautiful and seldom used palettes: black-and-white CinemaScope. He loved the scope ratio and delighted in experimenting with it, in the form of split-diopter shots (that would bring foregrounds and backgrounds in identical focus to jarring effect) and special filters that enabled him to manipulate the gray scale of black-and-white.”

(via Greencine Daily)

Roundup

  • It’s been widely linked elsewhere, but it’s certainly worth your time: Chris Ware animates a segment for the forthcoming televisual version of This American Life.
  • Mark Sarvas rather predictably dismisses Firmin, because “in the final analysis, he’s a rat and his plight never feels real because rats don’t think, talk, or write books!” (Emphasis in original.) Mark is, of course, entitled to his opinion, but as I argued back in October, who says that Firmin is a rat? Even if we accept Firmin’s rodent form as literal, I must ask: Do we discount Maus because it involves rats? Do we discount Orwell’s Animal Farm because the animals talk? Do we discount Philip Pullman’s His Dark Materials trilogy because all the humans are accompanied by talking animals? If one can willingly accept magical realism (and I fully confess my prejudicial stance against magical realism), then certainly one can accept talking animals and other fantastical elements, without outright dismissing a book because of these elements. Also, as Jessica Stockton observes, Firmin doesn’t talk.
  • I have repeatedly suggested here, contrary to my previous declarations, that one should not underestimate the cultural developments in Ohio. Case in point: a brouhaha between low culture and high culture involving The Dukes of Hazzard, the Cincinnati Pops Orchestra, and blacklisting. Apparently, Dukes of Hazzard stars John Schneider and Tom Wopat had planned a musical program. The program was then canceled, ostensibly because some people complained that the trashy television show was “racist and offensive.” This lead Ben Jones, who played Cooter on Dukes and later became a Georgia Congressman (with details like these, one expects an elaborate parlor drama adaptation), to declare that Wopat and Schneider were “blacklisted.” I think if you’re going to complain about Schneider and Wopat, you should probably point out that they aren’t exactly today’s answer to Enrico Caruso and Mario Lanza. But to consider previous work not as singers, but as actors, strikes me as unreasonable. It’s not as if Wopat and Schneider planned a Dukes of Hazzard revival here. (via Ron Silliman)
  • It is with great regret, through no fault of anyone, that East Coast weather caused John Banville’s flight to be delayed and, thus, an in-depth Segundo interview to be canceled, but thankfully, the AP’s Regis Behe fared better, talking with him about Christine Falls. Fortunately, Banville made it out to Los Angeles and, if you’re in town (Callie?), you can catch him tonight at the Central Library Mark Taper Auditorium. I found Christine Falls to be an interesting experiment, a case of a talented writer attempting to tackle mystery with mixed results, but I was particularly taken with the structure and the imagery of The Sea. In fact, The Sea actually helped me to solve a problem in my novel. So while I quibble with Mr. Sarvas over Firmin, I can certainly share, in part, his appreciation for John Banville.
  • The evolution of male body posture. (via Kenyon Review)
  • The ever-thoughtful Justine Larbalestier, whose Magic and Madness trilogy beckons my reading involvement, asks whether authors prefer great editing or great publicity.
  • Dan Wickett has revealed the first Dzanc Books cover.
  • Should one discuss books one hasn’t read? (via Scott)
  • RIP Rita Joe. (via Bookninja)
  • Brian Sawyer has some exceedingly helpful bookbinding links.
  • It seems that publishers are now optimizing their content for browsers.
  • Does the online universe imperil the tool of narrative? (via Big Bad Book Blog)
  • Some Francis Bacon paintings that were set to be thrown away have been salvaged and are now going up for auction.
  • And maybe this will help the folks in Cincinnati settle the Wopat and Schneider question: perhaps the real concern is hurled underwear.

[UPDATE: Within an hour of posting this roundup, I was emailed by John Schneider’s publicist. (Christ, do they Technorati all day or something?) Since the email contained the preposterous sentence, “These are exciting days for Schneider,” I chose to disregard it. But I should note for the public record that I am neither for nor against John Schneider and that writing about John Schneider does not necessarily make me a Schneider shill.]

San Francisco Panel on Literary Journals

If you’re in the San Francisco area, Howard Junker observes that tomorrow night, a panel on “The Continuing Importance of Literary Journals,” is going down at 7:30 PM. The panel takes place at The Poetry Center, San Francisco State University, Humanities Building, Room 512, 1600 Holloway Avenue, and features Del Ray Cross, Eli Horowitz, Junker, Liz Lisle, Michelle Richmond, Jason Snyder, Chad Sweeney, and Eric Zassenhaus, with moderation by Fourteen Hills’ Jenny Pritchett. I wish I had had more notice for this, but, given that lineup, I’m going to try to make it and offer a forthcoming report.

1984 Hillary Commercial: Ingenious Viral Video or “Penguin Army” Revisited?

1984hillary.jpgThe San Francisco Chronicle‘s Carla Marinucci wants to know who created this anti-Hillary Apple mash-up, uploaded by one “ParkRidge47.” There are little clues as to the user’s identity. Aside from Marinucci, Michah Sifry has also tried to answer this question, receiving a response from ParkRidge47 that declared the video “a bold statement about the Democratic primary race.” But since ParkRidge47 would prefer to remain anonymous, I’m wondering if this might be a replay of “Al Gore’s Penguin Army,” whereby the Wall Street Journal determined that the anti-Gore video was the work of an oil lobbying firm. Is it possible that the Hillary 1984 commercial is a more clever and elaborate version of this ruse from a similar pro-Democrat lobbying firm? Until ParkRidge47 reveals his true identity, I can’t pay a lot of credence to this viral video, however entertaining it might be. If ParkRidge47’s concern is Apple’s legal team going after him, I should note that even a performance artist like Banksy had the temerity to reveal that he was the one who tampered with hundreds of Paris Hilton albums in record stores.

Bookforum: All Male, All the Time

The latest issue of Bookforum has hit the stands and the Artsforum gang has made most of it available online. Of particular note: Christopher Sorrentino on the new Flanagan book, this interview with A.M. Homes, and Ben Marcus on Lydia Davis. What is not particularly good is that out of 35 reviews, only fourteen are written by women. That’s a mere 40% of reviews, with the bigger reviews going to men. And if we hold Bookforum to the Tanenhaus Brownie Watch standards, it’s severely lacking on this point. Not quite as bad as the NYTBR, but surely the Bookforum people can do better.

Roundup

Sarah Lyall Summarized

LONDON, March 18 — Lionel Shriver has written a new novel, The Post-Birthday World. But you don’t need to know about that, even though the book is one of the best of the year. What really counts is that Ms. Shriver looks younger than her 49 years and is quite a piece of ass. We here at the New York Times wouldn’t say any of this things if Ms. Shriver were male (which we confess, we initially thought she was, Lionel being one of those gender-neutral names), but we’re more content to judge Ms. Shriver for her appearance than for her literary achievements. Never mind that she won the Whitbread Book of the Year.

Slight, wry, precise in bending over and with the air and appearance of someone who might be good in bed, Ms. Shriver makes no excuses for our tendency to ogle and makes none now. “Why are you getting out the measuring tape?” she said recently, as we tried to get her measurements in her apartment in South London. “It’s obviously a ploy, but I don’t think it’s an obligation for a profile. Have you even read my book?”

Well, no, we hadn’t.

What makes our maneuvers so interesting is that Shriver’s publicists thought that this would be a great idea. We tried to get her to pose naked for our photographer and she refused.

“But we’re with the New York Times!” we said.

“Yes, and I’m doing my best to humor you and put up with your inane questions.”

“Surely, they’re not that inane.”

“I paid my dues. I did not write a novel at 21 and it sells a million copies and everybody thinks I’m brilliant and I’m on TV.”

“Can we use that?”

“Only if you go away.”

A Right to an Author

Being a Burgess freak, I’d be remiss if I didn’t point to Jenny D’s enchanting summation of the Anthony Burgess biography authored by Andrew Biswell (as yet unavailable in the States and as yet now beckoning hard for an Amazon UK purchase, along with Richard Gwyn’s second novel). Jenny’s inspiration comes from this fascinating article, which describes how a failed author named John Burgess Wilson went to Malyasia and became Anthony Burgess.

Dreams

A dream is a horrible thing. It intoxicates your being, keeping you going and keeping you more or less single-minded in your quest. One day, you accept the dream. The next, you deny it in some ways, but you quite can’t let it go. Particularly when a dream’s ethereal slivers tempt you in the same way that disreuptable employers often keep their employees on staff, giving them a yearly raise that is just large enough to keep them on the payroll for another year, but just small enough to keep them financially dependent. The dream is so intoxicating and so lovely and just on the horizon that you must keep going, groping at the rope and slipping off and trying your grip again, seemingly ad infinitum. Even when your friends, even the ones who are also chasing similar dreams*, tell you that you’re a fool and that you should really go dig ditches like the rest of humanity. And you do your best not to tell them to go fuck themselves, because you really do like them and you try to remain civilized. Even when you recognize the underlying pragmatism of their advice.

The problem with dreams is that they must co-exist with this kind of financial reality, which isn’t what you would call dream-friendly but is apparently “necessary” towards existence in Western civilization. The problem with dreams is that they reflect the culmination of certain innate talents that you try to keep quiet about. Hell, it would probably be a lot easier if you didn’t feel the burning desire. But you just can’t help yourself. It’s in your nature. The problem with dreams is that you’ve been burned so many times before when you’ve pursued similar dreams that led to this one. You’ve persisted when people have told you to go to hell. You’ve survived countless horrors, but you keep pretty quiet about it. Because the one tangible Venn diagram between dreams and reality is that, no matter what’s gone down before, the playing field is equal. Nobody likes a whiner.

And nobody is honest enough to confess any of this, because nobody wants to reveal their dreams. Because after a certain age, it becomes “childish” or “juvenile” or otherwise unacceptable. What business do you have pursuing a pipe dream? You think the world owes you a living? (Actually, no.)

At some point, others give up. You watch them get married and have kids, while you still remain obsessed with the dream. While you spend much time alone trying to perfect strategies. Trying to get better. When working for the dream sometimes takes up every spare moment. When those who have the dream can no longer fathom the sheer discipline and tenacity it takes for one who doesn’t to keep on going.

But it could be worse. You too could give up. Or, even worse, you couldn’t have any dreams at all.

* — And, hey, you understand that and encourage them, because you like and admire the hell out of them and wish them happiness and want nothing more than to help them get there. You certainly wouldn’t deny them their dreams. Why is it that they go out of their way sometimes to deny yours?

Roundup

BSS #104: Charlie Anders & Annalee Newitz

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Authors: Charlie Anders and Annalee Newitz

Condition of Mr. Segundo: Rethinking his views on women.

Subjects Discussed: The gender divide in science and technology, whether empirical accounts can raise public awareness, present historical perceptions of gender in relation to past perceptions, female stereotypes, positive cultural portrayals of women, Trinity from The Matrix, Scarlett Thomas, the relationship between underground and mainstream culture, prognosticating gender roles, macho sentiment in the workplace, geek answer syndrome, sexual roles, jiggly breasts and video games, Ghost Rider, gender presentation vs. work performance, dress code, the “lawyer situation,” unisex possibilities, responding to Olivia Boler’s review, and the nature of geek.

EXCERPT FROM SHOW:

Anders: Part of the problem is the stereotype that Larry Summers famously perpetuated a couple of years ago, the stereotype that women are naturally less adept at science and math. I blog surf all the time and web surf for the book’s blog, and I see lots of people say, “Well, but women just don’t have the spatial sense. Women can’t rotate five-dimensional objects in their sleep the way men can.”

BSS #103: Ron Jeremy

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Author: Ron Jeremy

Condition of Mr. Segundo: Filled with gushing admiration.

Subjects Discussed: On being “the hardest working man in show business,” being covered by the New York Times Book Review, Eric Spitznagel as ghost writer, celebrity stories, Parkinson’s disease, Al Goldstein, on being a “walking publicity sheet,” The Boondock Saints, on being a “blithering idiot” when it comes to technology, the details and taxonomy of Ron Jeremy’s black book, on hooking up with girls, on whether Jeremy considers himself an artist, John Frankenheimer, being a mainstream character actor, Sam Kinison, 1970s porn vs. contemporary porn, cinematographers who have worked in porn and mainstream, being a workaholic, travel mathematics, declining virility, Viagra, on being overweight, responding at length to Susan Faludi’s 1995 New Yorker profile, the effect of bad publicity upon career, Tammy Faye and Jessica Hahn, the future of porn, and remaining in demand.

EXCERPT FROM SHOW:

Jeremy: If I want to speak to a girl here in San Francisco, without that phone book, I can’t call her up and tell her I’m in town. Now you just saw me on the phone calling a girl, who called me last week or so, wants to see me. Her number’s in that book. Now it would be in my cell phone if she called me today. But by now, her number’s long gone from my cell phone. I don’t program numbers into my cell phone. I have a few. But I’d go nuts, because every time I change cell phones, I’d kill myself. That book is permanent, and I have numbers in there that are very, very important and some not that important. But to answer your question, why do I carry that book, it’s because it’s my phone numbers! Without that book, I couldn’t call anyone in San Francisco.

BSS #102: Jane Ganahl

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Author: Jane Ganahl

Condition of Mr. Segundo: Contemplating older women.

Subjects Discussed: Newsweek‘s controversial article about older women and marriage, the interrelationship between the “Single Minded” columns and Naked on the Page, why Ganahl left the Chronicle, how the book represented an effort to revisit the columns, on writing without instant reader feedback, on being “always right” as a journalist, the difference between writing for newspapers and writing a book, Mary Gaitskill in a punk rock t-shirt, debating the hook-up possibilities of literary events, confessional writing, writing as therapy, raising a ruckus among readers, Phil Bronstein, the future of women columnists, divorce, the institution of marriage, the current state of memoirs after James Frey, the San Francisco literary scene, name dropping, and shifting happiness.

EXCERPT FROM SHOW:

Ganahl: I would write a column. I would think I was right. Because, you know, I did my research and everything, and I would get these torpedoes from people saying, “You’re so full of crap,” and I was really indignant. And, at first, I would dismiss it out of hand. Well, you know, I am not good at taking criticism. I’m really not. And that was a very new experience for me being a columnist, because, you know, I did pop music criticism. And when you do that, you also get some hate mail, but nothing like when you talk about your own personal feelings on things. It just took some time to learn. I still think I’m right. So obviously I haven’t learned it very well.

BSS #101: Martin Amis

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Author: Martin Amis

Condition of Mr. Segundo: Inveighing against Stalinistic safeguards.

Subjects Discussed: The relationship between Koba the Dread and House of Meetings, the Soviet experiment, the original format of House of Meetings, the critical reception of Yellow Dog, the effect of reviews upon Amis’s confidence, Time’s Arrow vs. House of Meetings, writing about the gulag in the splendor of Uruguay, comparisons between Soviet Russia and post-9/11 Western life, the unnamed protagonist in House of Meetings, parallels between Yakov Dzhugashvili and the protagonist, Joseph Conrad as model for House of Meetings, writing dialogue without quotes, social realism vs. the Martin Amis stylistic imprint, making light of Stalinism, second generation Soviet novels, responding to M. John Harrison’s observations about “the long way round to avoid a clichĂ©,” settling upon a Russian patois, poetic references in House of Meetings, mythological references, the hangover metaphor, the protagonist’s uncannily resilient memory, Zoya Kosmodemyanskaya, the period of despair after Yellow Dog, and how Amis stocks up for future comic novels.

EXCERPT FROM SHOW:

Amis: There were several very good reviews, but the bulk of them weren’t. And it wasn’t just the reviews. I mean, anyone who could hold a pen was queuing up to write some exultant piece about, you know, “Crawl away and die,” saying, “All we can do now is pity him” and all this and so over. Nice to have your pity, mate. I particularly value your pity. To feel such dislike centered on you and centered on your book. I mean, I’d been written about far from sympathetically for quite some time, but it was alright when they were just having a go at me and my character and my activities. But when they attack your book, in those terms, it’s much more painful. It’s like watching your child being scragged in the schoolyard. So, yeah, I think it wouldn’t have been human to have not felt that and felt it as a blow to your confidence, which is what it really is intended to be. I think Baudelaire said, if you’re a writer, all you have is your opinion of yourself and your talent and your reputation. And that puts food on the table. That’s your livelihood — it’s your opinion of yourself. So, yeah, I think my confidence was affected by it.

Where is Nicholson Baker?

Why isn’t Nicholson Baker publishing fiction anymore? I ask this question not just because I like his name — the surname a durable representation of Anglicism, the Christian name evocative of an underrated form of American currency that will, in a few short years, become as meaningless as its baser mono-cent cousin, the two names meshing together into a five-syllable charge of the light brigade — but because I am fond of his work, which has dealt in large part with describing minutiae — and by minutiae, I mean the bric-a-brac we take for granted, the pleasures of a straw or a laundry tag, all of it representative of an unexpected euphoria and enthusiasm with the quotidian.

A brief aside: I now have on my desk a 453.6 gram bag of Rold Gold pretzels, cloaked in a sallow hue that I find ghastly, purchased a few evenings ago because more diminutive packagings of pretzels weren’t available at the convenience store immediately around the corner, and because I was too lazy to walk the additional distance to a store that might have a more reasonable size. The bag claims to be a “One Pound Value Bag,” and, if we are to round up the 453.59237 grams to one pound measure to the tenth, we do indeed have 453.6 grams. Of course, since I do not possess a scale or any measuring device that will register this pretzel bag’s mass, I must trust that this bag, before I unsealed its top, its unsealed edge now staring back at me with six crenelated horizontal ridges and its rumpled plastic exterior resting reasonably firm until I decide to unsettle it with a slight movement, did in fact weigh one pound. I must therefore place trust in the Frito Lay Company that I am indeed getting “one pound” of value, even though I paid $2.49 for it when I would have preferred to pay around a dollar or so for a smaller bag of pretzels that would have served my nefarious snacking purpose. So there is, in fact, an excess of pretzels that has rested, untouched, on my desk for two nights. And I don’t know if I will eat the remainder. When I also consider the additional fact that, given these lack of measuring tools, there is no way I could have matched the reported 453.6 grams against the real 453.6 grams, I don’t feel any sense of “value” at all. Even if I were to disseminate the balance of these pretzels amongst the vagrants in my neighborhood or even the drunk and noisy teenagers who I have espied through my bay window (after hearing some unsettling noises), one of whom has just regurgitated on the steps leading up to my apartment building, I’m thinking they would likely reject my offering of pretzels in lieu of a hot meal or a forty ounce bottle or even cold hard cash. So the “value,” which suggests an egalitarian dissemination of goods that evokes a Robin Hood-like figure spreading the wealth, is wrong on multiple levels. And I am stuck with excess pretzels.

If I were to read a new Nicholson Baker volume, there is no doubt in my mind that he could put this conundrum in perspective. I suspect, with his keen eye for the picayune, he would have anticipated my current pretzel contretemps and he would have meditated at length upon this notion of “value,” a word unabashedly printed upon too many things, as if the word “Value” is a kind of naked lady you find in a deck of cards.

I was reminded of Mr. Baker tonight, when I found myself without a book to read on the way home. This caused a slight sense of panic, because, after countless hundreds of journeys on my bus line, I had grown quite accustomed to the many buildings through the window along my commute and had grown very comfortable with this idea of submerging myself into a book to pass the time. And I walked to City Lights, and with the help of the excellent Suzanne, a friendly and intelligent young woman who I once had dinner with and whose name I embarrassingly forgot, even when she had cried, “Ed!” as she saw my rumpled and book-starved form perusing many literary options, I managed to discover a Nicholson Baker volume I had not yet read, a book called Room Temperature which I am now halfway through. And Baker’s concern for these small details and these small conflicts that we take for granted has made me sad that he’s decided to sit it out since Checkpoint, a book savaged by Leon Wieseltier in the most callow of ways. (You can find the details here. I miss Mr. Orthofer’s lengthy reports and I hope we will see another one soon.)

So I must ask what has happened to Nicholson Baker. In the madness of our times, his fictive perspective is badly missed and sorely needed. I could always count upon looking through a dictionary when reading his books. I could always count upon seeing the world around me with fresh eyes. Plus, it helps that he was a bit of a pervert. I can’t say these things of a lot of authors. But I can say them of Nicholson Baker. I don’t know if he has a muse that any of us can speed-dial. But the literary world seems somehow lesser without Baker.

There’s Clearly a Formula Here

  • [insert author name]’s [latest book from author] has hit bookstores. It’s criminally underated, and [reviewer who writes somewhat intelligently or has interesting take] has an interesting take on why it’s worth your time.
  • Last night, I had a [vaguely personal moment in which I don’t reveal too much of myself to readers, because, based on some of the comments here, I think a few of you are keeping extremely close track of my personal life — for what reason I have no idea]. And it reminded me of [article which probably has nothing to do with moment in question].
  • [Person with no real ideas trying to attract attention] is attacking litblogs again! And [first blogger to get upset, because offering you all this content for free can sometimes be a thankless task] has taken him to task. Meanwhile, [more level-headed litblogger who recognizes that this person just wants attention] offers a contrarian take.
  • [Wacky news story]. Hey, how about that! [Insert hastily formed witticism in which I apply an overly literal reading to form an incongruous association.]
  • [A paragraph of polemical bluster, with at least one ad hominem remark or, failing that, a metaphor that grabs your attention.]
  • Sam Tanenhaus has [well, he could have done anything really, if only he actually contacted me directly instead of asking other people about who I am].
  • [Sex joke.]
  • [Something terrible committed by McSweeney’s or an obscure literary quarterly.]
  • And I would be remiss if I didn’t mention [A friend or acquaintance who has done something interesting, must keep this near the end to avoid favoritism]’s thoughtful project, which should blow the lid on [incongruous reference here because I’m overworked and I need more coffee so that I can stay awake, until such moment as I will be able to properly collapse].

And just to be clear on how formulaic this blog is and how much of a tool I am, Random House sends me a $600 weekly paycheck, Penguin arranges for my Fairmont penthouse suite on the weekends, keeping it well-stocked with champagne, caviar and two prostitutes (because I like things exotic, I prefer to fuck midgets and black women), and Soft Skull keeps the Colombian marching power flowing 24/7.

It’s great being a corporate pawn. It’s great willingly catering to the mainstream. Literature? You think I really give a crap? In fact, I’m getting a blow job right now as I write this post. Life doesn’t get any better.

I don’t think you can find anyone more venal in our society than litbloggers.

Newspapers Shifting to Paid Content Model?

From MarketWatch:

By putting a price on the Reader, The Times creates another stream of revenue, albeit a small one, to add to what it’s generating from subscriptions to its Times Select service, and sales of archived articles. Piece by piece, these services add up — but not to a lot. And they don’t answer the bigger question for the newspaper industry, how to survive the threat of the meme, “Information wants to be free on the Internet.”

Just today, the San Francisco Chronicle’s David Lazarus opined that, “It’s time for newspapers to stop giving away the store. We as an industry need to start charging for … use of our products online.” He said such a move needs to be industry-wide, and that, “This is approaching a life-or-death struggle for newspapers, and an antitrust exemption may be the only way that the industry can make the transition to a digital future.”

I think Lazarus is wrong (and I’m also very troubled by his call for an antitrust exemption). I can’t think of a way for newspapers to become more irrelevant and blogs to make more of an impact than the newspapers removing free access articles from their websites. Blogs have often been described as parasitic in the way that many of them rely upon newspapers for links and commentary. Fair enough. But here’s the flip side: blogs also draw more attention to an article and, thus, a newspaper’s reputation for quality journalism.

But let’s say newspapers abandon their free content. Well, online audiences, looking for free content, go elsewhere: to blogs that are conducting in-depth interviews, essays and ancillary journalism. (Without that newspaper content to draw from, blogs may resort to conducting journalism of their own. In fact, many already are.) The advertisers, seeing this bandwidth shift, turn to the blogs for their revenue. (In fact, as reported this morning, we’re beginning to see early signs of this.) The blogs, all competing for this revenue, then proceed to up their game. And it’s just like the early days of newspapers, with multiple newspapers were competing for a city’s reading attention. Except the competitive model has now shifted to a micro-level, with individuals or collectives conducting this new journalism. Perhaps former journalists, many of them downsized because of recent newspaper firings, will initiate blogs of their own and, like the two Glenns (Reynolds and Greenwald), attract mass audiences.

And let’s say these new journo-bloggers team up and generate enough revenue to hire copy editors and fact checkers. Well, then, you’ve got a virtual newsroom on your hands. And it’s all free. And with email and comments enabled, you’re talking about an instantaneous model with 24/7 reporting that newspapers can’t compete with. Why can’t they compete? Well, it’s all about access. Sure, readers can and will contact newspapers to tip reporters. But if they can’t access all the content and follow the stories, they’ll go to another free conduit in which a story is easily trackable — a particularly easy thing to do with blog categories enabled. They’ll do this because they’ll know that their voices will be heard and responded to and possibly included within the course of a story. They’ll do this because the journo-bloggers won’t view themselves as gatekeepers. The journo-bloggers will see their readers as peers with which to exchange and verify information.

Sure, there will be a period in which the experts and the cranks will have to be sorted out. And it’s very possible that cranks might prove popular. Hell, one can easily argue that they already are.

Of course, the easier thing for newspapers to do is to hire bloggers and start thinking about fusion of print and online journalism, adopting these virtual newsrooms themselves. (Even mid-sized newspapers like the Denver Post and the Rocky Mountain News are thinking along these lines.) But I don’t think this will be easy. Because there’s a vast difference between $745.5 million in online advertising and $13.2 billion in print advertising (both figures from Q4 2006, cited in Editor & Publisher). That’s a stunning shortfall that a collection of newspapers, each with a staff of 200 or so, can’t support.

But a collection of blogs, each with a staff of 3 or 4? I’m thinking they might get by on that amount.

Whatever happens, I don’t think either newspapers and bloggers are going away. I think we’re going to see a lot of newspapers go extinct in the next five years (with some major surprises), particularly the ones which insist upon paid content only. I also don’t think journalism is going away either. It’s just going to change. A lot.