Alice Randall, who parodied Gone with the Wind, received an injunction from the Margaret Mitchell estate, and won her case on appeal, is suggesting that Pushkin was part of the Harlem Renaissance with her next novel. Alas, Carlin Romano isn’t impressed: “Unfortunately, Randall’s effort drags for many of the same reasons “The Wind Done Gone” did: overwriting and repetition, tiresome thumping of racial resentment, and a pathetic Afrocentric need to claim scalps for the cause. Windsor’s logorrhea suggests that Randall’s own self-absorption trumped any ambition to master her invented subject. The entire Russian aspect of the book reads like pretentious window dressing for a shapeless vanity tale.”