Category / Fry, Stephen

by Edward Champion

The Bat Segundo Show: Stephen Fry

In this jam-packed one hour radio interview, Stephen Fry discusses Shakespeare, education, Ayn Rand, Wodehouse, eudaimonism, Secessionist Vienna coffeehouses, Apple, why he prefers Simon Raven to Anthony Powell, his efforts to dance, and at least 3,000 other interesting topics.

Stephen Fry appeared on The Bat Segundo Show #432. He is most recently the author of The Fry Chronicles.

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Condition of Mr. Segundo: Basking in a pleasant tsunami of erudition.

Author: Stephen Fry

Subjects Discussed: Journalists who attack morally and spiritually, capitulating an iPhone, the number of gadgets that Fry carries on him, physical books vs. ebooks, high school physics lessons and vacillating ideas about the atom, books and mass, Anthony Powell’s Books Do Furnish a Room, technological developments and misunderstanding about replacement, ways in which technologies complement each other, the plight of newspapers, Page One, whether The New York Times is a trusted platform, accepting the fact that Gaddafi is dead, embedded journalists, Kickstarter campaigns and journalism, working for free in the post-Internet age, Fry’s presence on Twitter, Twitter vs. newspapers, not giving print interviews, the achievements of journalists, terrorists who rely on newspapers, the difficulties of not reporting serious changes to the Manhattan skyline, “cheating” on essays in school by writing them in advance, Fry’s ability to recall books by line number and specific edition, Shakespeare, hypothetical exam answers to Macbeth, the Wooly Willy, the pointlessness of exams, Fry’s love for technology, what education can learn from the ancient Greeks, the numerous intellectual trajectories which spring from coffee, Diderot, Secessionist Viennese coffeeshops, Gustav Klimt, the value of giving someone a single word to jump off from, Oscar Wilde’s “De Profundis,” Lord Alfred Douglas, the Oxford manner, education as “the ability to play gracefully with ideas,” intelligence rooted around connection, the No Child Left Behind Act, Diane Ravitch’s The Death and Life of the Great American School System, the etymology of “draconian,” vocational training, fruit trees, people who believe the Alps to be dull, those who blame teachers, having a busy schedule, Fry’s schedule vs. a politician’s schedule, not knowing things and greed, Fry’s shaky terpsichorean skills, humans and language, Steven Pinker, Guy Deutscher, how tenses imply futurity, animals and sex, the Phoenicians and writing, cuneiform and the alphabet, hip-hop, Fry’s rapping talent, forgetting to delight in the beauty of language, Wodehousian language rhythms and music, connections between Wodehouse, Cicero, and W.S. Gilbert, film adaptations of The Importance of Being Earnest, Jewish and gay identity, the linguistic roots of Shoah, 19th century anti-Semitism, meeting Anita Lasker-Wallfisch, playing Schumann’s Träumerei on the cello for Josef Mengele, when human beings are treated like machines, Hannah Arendt, Ring Lardner’s golden rule for screenwriting, political correctness, restrictions on the depictions of smoking in BBC documentaries and drama, Spooks, bizarre moral standards on British television, being exploited by Stephen Sondheim for a scavenger hunt, having a fax machine in the early days, Fry’s efforts to read Atlas Shrugged, the 1949 film adaptation of The Fountainhead, writing the book for Me and My Girl, the fine aural distinctions between a fax machine and a 56k modem, the 21st century audience for Ayn Rand, maniacal ideologies that don’t include joy or hope, the RAND Corporation, the Tea Party, reasonable addictions vs. extreme addictions, empathy, false categories when contemplating what it is to be human, Artistole’s “man is a political animal,” Kant’s symbolic logic, the behavioral thrust of David Hume, the readability of philosophers, TE Hulme’s influence on Pound and the modernists, moralists, Hulme’s “concrete flux of interpenetrating intensities,” humans being verbs rather than nouns, doctors and diagnosis-based language, referring to people by their condition, kindness and cheerfulness as essential virtues, eudaimonism, Mad cartoons, the “pay it forward” principle, Fry’s aborted career as a book reviewer, whether criticism is necessary, thick skins vs. thin skins, not wanting to hurt people’s feelings, Alec Guinness’s rude remarks to other actors, Paul Eddington, The Browning Version, Fry’s desire to play Crocker-Harris, pathetic efforts to be polite, Fry’s futile efforts to hawk his own book, teaching Aeschylus to inspire, cruelty, “Never presume to understand another man’s marriage,” ethics and absolute evil, Schindler’s Ark, the French Resistance bombing restaurants, Fry’s Apple zeal in relation to Foxconn abuses, suicides at Foxconn, Steve Jobs vs. Henry Ford, Brave New World, Godwin’s law, Apple’s business in China, overseas industrialization, Alms for Oblivion, and why Fry believes Simon Raven is better than Anthony Powell.

EXCERPT FROM SHOW:

Correspondent: Tying these multifarious observations with what is in your book, I actually wanted to ask you about this intriguing period when you were at Cambridge. You describe how you were “cheating” on essays because you wrote all of the essays in advance in your head — to the point where you were able to cite chapter and verse.

Fry: Yes.

Correspondent: Specific lines down to the line number of Shakespeare. Specific critical reference works down to the publisher, the edition.

Fry: The review course.

Correspondent: Whether it was in trade or whether it was in hardcover. Rather extraordinary. And that you would actually tilt these essays in relation to the question that was asked of you.

Fry: That’s the point. Exactly. The point is: if you have an essay on Othello, if you have an essay on Anthony and Cleopatra — we’ll stick with Shakespeare just for the sake of a closed canon, so we can think about it — if you have an essay on Macbeth, you have a point of view. I know I can deliver 3,000 words very quickly on Macbeth if I know I can.

Correspondent: You have 45 minutes right now, man!

Fry: And the question is “The essence of Macbeth is the difference between the microcosm of Macbeth’s mind and the macrocosm of the real world,” say. Now that may not suit my thesis at all for Macbeth, which is actually to do with the way the poetry disintegrates as the play progresses. But I can make it exactly answer that question. You just have to polarize. You know, it’s like getting a magnet. Did you ever have it in — you probably were American. So I don’t know why I’m asking if you had them. Those little bald men with iron filings and a magnet and you used to make beards out of them.

Correspondent: That was, I think, before my time.

Fry: It probably was before your time. But that’s what you’re doing. You’re taking a magnet and you’re polarizing what you know. Now it’s kind of cheating. It’s not cheating really. Because I am passionate about Shakespeare. I love Shakespeare. But I’m very, very lazy when it comes to exams. And I also am aware that an examination is nothing other than the ability to pass an exam. And what use is that? You might as well say, “In order to qualify from Harvard University, you have to win a squash match. Or you have to do the best Lady Bracknell of your year. Then you’ll get your top degree.” But why is the ability to reproduce prepared pappy ideas about intellectual concepts on paper — why is that a good reason to give someone a job in a law firm, in Wall Street, or in a publishing company for that matter? And part of my love of technology, personally what I would love is, of course, to go all the way back to the days of ancient Greece where you had Aristotle and you had Plato and you had the Lyceum and you had the Academy. So you would actually have a master. And to me, this is how an ideal examination would go. It doesn’t matter what subject the person is reading, as we say in England, or studying, as you would say here. You would just say, “Coffee.” Now someone who’s reading history might just instantly start talking about the coffee shops and how they were banned by Charles II, how they then came back again under Queen Anne, and how they caused a movement with the coffee shops in Paris with Diderot and the Republic of Letters and Voltaire and the Enlightenment. Or they could talk about the Secessionist Viennese coffee shops of Mahler and Klimt and so on. And Stefan Zweig and the whole generation of intellectuals. Rilke and Kraus and so on. Or you could talk about coffee as: Is it an emulsion? Is it a solution? How is coffee grown? What is it as a cash crop? What is is politically? Ethically? That there are some countries who are not allowed to grow food that they can eat. They can only grow food that they can sell. Currency rates. It’s a geopolitical issue. You can talk about the history — here we are in a publisher’s office — about the coffee table book. You could talk about it as a medical student. You could talk about it as a stimulant. You could talk about caffeine.

Correspondent: Worker exploitation. Fair trade.

Fry: Yeah. Basically, what you want, if you’re examining someone, is just to give them a single word and watch them run with it. One of my absolutely favorite quotations — and I’ll try and get it right — is from “De Profundis,” the letter that Oscar Wilde wrote in prison to his lover, Lord Alfred Douglas. Bosie, as he nicknamed him. The man who basically destroyed his life. The boy who destroyed his life. And at one point, he’s talking about Oxford, and he’s saying, “The fact that you didn’t get a first-class degree is a disgrace. Many first-class minds never achieve first-class degrees. The fact that you didn’t get any degree at all is no disgrace. Many first-class minds never finish their course and get their degrees. But what to me, Bosie, is unforgivable is that you never achieved what I believe used to be called” — he put in inverted commas — “the Oxford manner.” And he then says, “Which I take to mean the ability to play gracefully with ideas.” Isn’t that the most beautiful definition of education you’ve ever heard? The ability to play gracefully with ideas! So whether the idea be coffee, whether it be paper, whether it be homosexuality, whether it be floorboards, it doesn’t matter. Because intelligence is about connection.

Correspondent: Yes!

Fry: So an exam question that just says, “Discuss Shakespeare’s use of imagery in Measure for Measure.” Well, gah! Come on.

Correspondent: But it’s actually much worse here in America. I’m sure you’re familiar with the No Child Left Behind Act, which is imposing these draconian standards and is absolutely convinced that all schools can offer 100% competence adhering to these standards. As a result — and there’s a great book by Diane Ravitch called The Death and Life of the Great American School System.

Fry: Oh yes. I’ve heard about it.

Correspondent: Which outlines exactly what’s been going on. Which means that if the school doesn’t meet these draconian standards, it gets sanctioned. It can fire teachers and administrators who are considered to be failures.

Fry: The pedant in me would say that Draco was a leader of the Greek Republic at a time when every single crime was punishable by death. Which is what “draconian” really means. And I’m sure it isn’t draconian in that sense. (laughs)

Correspondent: But when the Oxford manner is in opposition like this…

Fry: I know what you mean.

Correspondent: …it’s difficult.

Fry: And even more in opposition to that is the other group of people, which tend to be the right-wing industrial nexus. Whatever you might call them. Those who have influence over politics who say that education actually is irrelevant. What matters is vocational training. And so they want people with MBAs. They want people with apprenticeships. They want people who don’t have a wide, broad education and the ability to play with ideas, but who can do very specific things. Like training. It’s training. and think of that in terms of a tree. You know how you used to train a fruit tree against a wall. You straightened out its branches. [begins spreading arms] You stapled them to the wall. And that’s it. And it bears fruit very efficiently. Now we’re human beings. We’re not fruit trees. And we’re certainly not there to have ourselves straightened out to produce fruit for the state. We’re here to question, to wonder, to oppose.

Correspondent: But you are extending your arms very impressively, resembling a branch.

Fry: Thank you very much.

Correspondent: So I think that if you wanted to be a fruit tree, you could. You have a good line in that.

Fry: (laughs) I’ve certainly been a good fruit. Whether or not I’m a tree — well, of course, by their fruits, shall ye know them.

Correspondent: (laughs)

Fry: But the education point is a really interesting one. And I don’t know what the answer to it is. I think, oddly enough, if I am educated, if I have an education, it’s obviously one I’ve given myself. Because that’s what, by definition, what all educations are. You’re drawn out. Nothing’s put in. You’re not a bucket that is filled by a good teacher. And one of the saddest things is when people say, “Ah, well, Shakespeare was ruined for me at school. Because I had a terrible Shakespeare teacher.” I would say back to them, “Yeah. It’s the Alps for me. I had this awful geography teacher. I just find the Alps so dull. Because I had this awful geography teacher.” I mean, it’s ridiculous. I think it’s either beautiful or it isn’t. You can’t blame a teacher for not being able to communicate its beauty. I can look at the Alps and see that they’re beautiful. And if you can’t look at Shakespeare and see that it’s beautiful, don’t blame a teacher. Blame yourself for not looking hard enough. And I know people don’t want to hear that. But that’s the answer.

Correspondent: And you get into that in the book. And I actually wanted to discuss this further. I mean, I’m in agreement that, okay, we are in a world of riches. We have more information available to us than at any point in human history. But at the same time, learning about apple trees, Shakespeare, or what not, this requires time. And if you are someone who is working two jobs, who is raising a kid, how do you factor that into your dismissal of…

Fry: I like that. Because I’m a gay actor who doesn’t do much…

Correspondent: (laughs) No, no, no. It’s not that at all.

Fry: No. I know you weren’t. But it is funny. I have to say — and I don’t mean this in a boastful way, but I have yet to share diaries with someone who is busier than I am. Including politicians. I’ve had meetings recently. I’m trying to get…

Correspondent: (laughs) Including politicians? Like who?

Fry: Well, they always say that every single hour of every day is taken up by…

Correspondent: Even the bathroom breaks and all that.

Fry: Yeah. Etcetera. And, of course, they are to some extent. But they’re not busier than me. Because that’s actually all stuff that’s done. And then when it’s done, it’s done. If you’re a writer and you have other things, it’s never finished. And I am a very, very busy person. But you may notice I’m quite tubby. It’s because I’m greedy. And if people say they don’t know anything, it’s only because they’re not greedy. They’re not greedy for knowledge. Sometimes an image I give is — imagine that the Mayor of Washington was told when he was a child, “Go to London. Because the streets are paved with gold.” If he knew that in every city, the sidewalks, as you call them here — the pavements were piled high with gold coins and it made a noise. It made a kind of clashing noise as you shuffled your way through it. And it was terrible. And you bumped into a beggar standing with his hat out, saying, “Please. Please. Give me some money. I’m poor. I can’t eat.” You’d look at him and go, “What? Look around you! Just bend down and pick it up!” And that’s what I feel when people say, “Oh, it’s all right for you. You went to Cambridge and were taught things. Oh, why can’t I? I don’t know about this stuff.” I just want to say, “Bend down and pick it up.” It’s never been more available. All it takes is greed. Curiosity.

Correspondent: You are in a country where most Americans don’t have a passport. You are in a country where they actually don’t know these options. I’ll give you a perfect existential example of my own. So the New York Public Library — if you go in that marvelous reading room, it’s capacious. Tables. Everything. It’s like, “Of course! I’m going to study. Because this is an environment totally made to not slack off in any way.” Right? But if you try to find a seat at a coffeehouse now, every single table is completely filled up with people with their laptops. And there’s often people who sit down and they have this board meeting vernacular. And you can’t get anything done. I mean, it’s to the point where it’s almost a Trail of Tears-like situation for me and my friends.

Fry: (laughs)

Correspondent: We have to go to the next coffeehouse before they discover it! But you can pretty much almost always get a seat at the New York Public Library. And the question is: What do we do to restore the balance? To get people understanding that, yes, the streets are paved with informational gold if you go and reach down and pick it up. What do you think?

Fry: To me, this is simply prejudice. It’s prejudice that comes from the gifts that nature never gave me. And they were coordination and music. Although I love music and I’m passionate about music and I listen to music every day and I collect music. I have musical heroes that are distinct and different. You may know that I made a film about Richard Wagner, which is very important to me. Partly because as a Jewish person, Wagner is always going to be traumatic if you love him. Because he was such a bestial anti-Semite. Of course, that was not his fault. Because he died fifty years before — literally fifty years before Hitler became Vice-Chancellor of Germany, who of course adored Wagner too. So I do love music. But I can’t do it. I can’t perform it. I can’t sing. I can play the odd note on the piano.

Correspondent: But can you dance?

Fry: Absolutely cannot dance! I can’t even begin to put myself in a position.

Correspondent: Have you tried to take ballroom dance lessons?

Fry: I would hate it! I would loathe it!

Correspondent: Come on, Stephen! Pick it up! The dance is right there! (laughs)

Fry: If you read my book, you would know my physical self-consciousness is extreme.

Correspondent: Yeah.

Fry: But bad as this sounds, and this is no complaint, the fact that I was so incompetent, so uncoordinated physically, so ungifted musically, meant that all I had to give myself any pride was language. It’s all I had. And the odd thing is that’s all any of us have. It is the miracle of the human species.

The Bat Segundo Show #432: Stephen Fry (Download MP3)

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by Edward Champion

2011: The Year in Broken Windows

What do Occupy Wall Street, Kenneth Cole, Stephen Fry, DJ Gardner, a Philadelphia poet, Lars von Trier, and Emma Sullivan have in common? Why is free speech being increasingly punished?

Alexis Madrigal: “Brooklyn College sociologist Alex Vitale, who has specialized in tracking police tactical changes, found that the the ‘broken windows’ theory of policing, which was introduced to a national audience by this very magazine, has also had a major impact on protest policing. As we wrote in 1982, broken windows policing did not attempt to directly fight violent crime but rather the ‘sense that the street is disorderly, a source of distasteful, worrisome encounters.’ As Vitale would put it, the theory ‘created a kind of moral imperative for the police to restore middle class values to the city’s public spaces.’ When applied to protesters, the strategy has meant that any break with the NYPD’s behavioral preferences could be grounds for swift arrest and/or physical violence.”

* * *

In the December 2011 issue of Philadelphia Magazine, there was a list printed on Page 72 with the heading which read THINGS WE NEED TO GET RID OF. Among the items listed? The Mummers. Poet CA Conrad went onto Philadelphia Magazine‘s Facebook page and demanded that it write a letter of apology. There was no response. He kept writing. He was blocked from the site. So Conrad went to the magazine’s office in person. He was polite. He did not yell. He asked to speak with the online editor. He was told no one was in. Nobody had the courage to talk with him. Instead, the Philadelphia Magazine receptionist called the police. “The truth is that they were embarrassed by what I was saying,” wrote Canto on his blog. “And they gloated over my removal from the office on Face Book. Oh, and while I was being escorted OUT, one of the magazine’s enforcers said that I was to be arrested if I ever stepped foot inside the building again. NICE!” (I learned of this story from HTML Giant.)

* * *

“Behavioral preferences.” That’s not unlike the highly elastic term “juvenile delinquency.”

* * *

A parent in Calvert County, Maryland wrote into The Bay Net. Her six-year-old daughter Brianna had made an “inappropriate comment” at Dowell Elementary, saying she was going to kill another student. This was a joke. She was pulled from recess by a teacher and ordered to sit and wait in various administrative rooms. Brianna assured the principal that she was only joking and that she had no intent of killing her fellow students. Despite her confession, the principal then grilled Brianna about her home life. Other students were brought in. One of Brianna’s good friends was pressured to rat her out — this, after she had already confessed as to the nature of her comment. The parent asked in her letter, “How do you justify not calling the parent of a six year old and holding her in the office for 2 hrs asking her about her life at home over an innocent comment? Do not get me wrong, I know what she said was inappropriate but to all that know my daughter know that she would never intentionally hurt anyone!! How do you justify treating her this way? This is the problem, noone will or can justify this to me. I email jack smith the super of cc schools, I of course get pushed onto someone else who calls me asks me what happens and about the only response I get it ‘well as ling as you do understand what she did was wrong!’ Really? I have yet to speak to the super as I’m told he is very busy with meetings….!”

* * *

The Guardian: “James Harding, speaking at the Society of Editors conference on Monday, was talking days after Tom Watson accused James Murdoch in parliament of being the ‘first mafia boss in history who didn’t know he was running a criminal enterprise.’ A clearly irritated Murdoch responded that he thought this was an ‘inappropriate’ comment.”

* * *

Etymology for irritated: 1530s, “stimulate to action, rouse, incite,” from L. irritatus, pp. of irritare “excite, provoke.” An earlier verb form was irrite (mid-15c.), from O.Fr. irriter. Meaning “annoy, make impatient” is from 1590s.

It took only six decades for “irritate” to have its meaning corrupted.

* * *

At a Cannes press conference on May 18, 2011, the filmmaker Lars von Trier stated, “I understand Hitler but I think he did some wrong things yes absolutely but I can see him sitting in his bunker.” These words were received with understandable umbrage. Von Trier apologized the next day, purporting that his remarks were meant in jest. “I am not anti-Semitic or racially prejudiced in any way, nor am I a Nazi.” Despite this apology, he was banned from the Cannes Film Festival, declared persona non grata with the decision supported by French culture minister Frederic Mitterand. Mitterand remarked of the ban, “There is a major difference between a film that was chosen in a calm atmosphere and a director who clearly blew a fuse.” Yet in 2009, Mitterand protested Roman Polanski’s September 26 arrest in Amsterdam, “To see him thrown to the lions and put in prison because of ancient history — and as he was traveling to an event honoring him — is absolutely horrifying.” Why are terrible words uttered in 2011 more “horrifying” than terrible action in 1977? It took a day for Lars von Trier to apologize and nearly 35 years for Polanski to apologize.

* * *

In January 2011, the BBC apologized for remarks made by Stephen Fry on the comedy quiz show, QI Fry had made a quip about Tsutomu Yamaguchi, a man who had survived both the bombings of Hiroshima and Nagasaki. Fry called Yamaguchi “the unluckiest man in the world.” Japanese viewers, watching the clip on YouTube, became irate and wrote in. Japanese blogger Yuko Kato wrote: “So, in this sad case, literally a comedy of errors, the lack of knowing and understanding goes both ways. The BBC and the people involved in the QI segment (including Stephen Fry, whom I dearly love) failed to anticipate Japanese sensitivities; and if they had but still went on with the broadcast then that’s even worse. For as a Japanese (despite my unabashed love of British comedy), I was very uncomfortable with the segment, especially with the audience tittering. On the other hand (no limbs left), most of the Japanese public have absolutely no idea what British humour is about; they simply don’t know that it’s a form of expression that strives to tell things like it is, that it’s an art form that tries to illuminate all the foolishness and idiosyncracies and negativities of the world through irony.”

* * *

In February, fashion designer Kenneth Cole tweeted, “Millions are in uproar in #Cairo. Rumor is they heard our new spring collection is now available online.” Outrage ensued.

* * *

DJ Gardner was ranked the 64th best college basketball player in the country. He was a freshman forward standing six-foot-seven, an accomplished shooter described by a former high school coach as “an unselfish kid” who understood that it didn’t matter which player made the points. He was wooed by Mississippi State, told by the smiling men that he’d get serious time on the court and, like any hardworking kid baffled by the two other young men rotating as shooting guard, agreed to a redshirt year for the freshman season. On Twitter, he let off some steam:

These bitches tried to fuck me over.. That’s y I red shirted .. But I wish my homies a great ass season.. I don’t even know y I’m still here

He called the top brass “liars.” Mississippi State coach Rick Stansbury booted Gardner off the team for his tweeting, claiming his words to be “repeated action detrimental to the team.” And while Gardner’s mother, Angela, was hardly happy with the behavior of her son and the coach, she said, “I felt like there should’ve been some communication.”

* * *

On July 3, 2011, Charles Hill was shot by BART police in the Civic Center station in San Francisco. Hill was drunk. He pulled a knife and threw it at the floor. And the police shot and killed Hill. Witnesses reported that Hill had neither ran nor lunged at the two cops. The police claimed Hill was using an open liquor bottle as a weapon. BART police chief Kenton Rainey claimed he was “comfortable” with the decision of his men.

This brutal incident led many to exercise their First Amendment rights to protest Hill’s death. But on August 11, 2011, BART muzzled cell phone service at four stations, ridding the protesters of their right to coordinate a peaceful assembly. The ACLU of Northern California replied:

All over the world people are using mobile devices to organize protests against repressive regimes, and we rightly criticize governments that respond by shutting down cell service, saying it’s anti democratic and a violation of the right to free expression and assembly. Are we really willing to tolerate the same silencing of protest here in the United States?

* * *

On November 21, 2011, a Kansas high school student named Emma Sullivan attended a Youth in Government program, listening to a speech by Governor Sam Brownback and ridiculing him on Twitter under the hashtag “#heblowsalot.” Brownback’s office spotted Sullivan’s tweet during “routine media monitoring” and forced Sullivan’s principal to ask Sullivan to write an apology letter. Sullivan refused, but she did say, “I think it would be interesting to have a dialogue with him. I don’t know if he would do it or not though. And I don’t know that he would listen to what I have to say.” Sullivan’s mother said that she wasn’t angry with her daughter. The story made the rounds. Brownback issued an apology.

* * *

On the afternoon of July 19, 2011, I was contacted by a detective from the Cheverly Police Department. The detective was a nice and reasonable guy. He explained to me that blogger and critic Mark Athitakis was accusing me of harassment. What was so harassing? Several comments — all under my real name, really a bunch of silly performance art that I had been leaving intermittently over the last few months, nothing intended to harm and more than a bit absurdist — one evoking a fictitious Shakespeare quote reading “let’s kill the critics” and the like. I told the detective that these comments were clearly satirical. That a comment containing the lyrics for Rebecca Black’s “Friday” could not possibly be written with violence or threats in mind. The detective agreed that he and I both had better things to do with his time. He was merely checking up on the complaint that he received.

At no time did Mark ever contact me personally to (a) clarify the beef that he has with me, (b) state that I was harassing him. He did email me on July 14th, writing, “Your behavior is abusive, disrespectful, and unacceptable. It has to stop.” I emailed him a suggestion on how to clear things up, writing, “If you want to use this email as an opportunity, then I’m all ears.” He repeated the same line in another email on July 15th. I replied, “This comment is not abusive. Here are the facts: you have no sense of humor, you are disrespectful of my thoughts and voice, and you cannot take criticism.”

That was the last direct contact I had with Athitakis. I did not visit his site again until July 19, 2011, when I was attempting to explain the situation to the detective. So Athitakis must have filed the complaint with the Cheverly Police Department after this exchange.

* * *

On October 2, 2011, then New York Times freelance journalist Natasha Lennard was arrested on the Brooklyn Bridge while covering the Occupy Wall Street protests. On October 14, 2011, she spoke before a panel at Blue Stockings, expressing her opinions about organizing protests and using colorful language. A right-wing website, unable to see the distinction between reporting and opinion, posted the video with speculation, demanding “appropriate disciplinary action against Lennard” and asking her to rat out “any potential planned criminal activity by Occupy activists.”

Natasha Lennard responded with a Salon essay, “Why I quit the mainstream media”:

As the Times publicly noted, they found no problem with any of the reporting I had done for them on OWS. Indeed, a court hearing upheld that I had been on the Brooklyn Bridge as a professional journalist and as such, deserved to have the disorderly conduct charge against me dismissed. The only reason I was on the Brooklyn Bridge that day was as a reporter, gathering and relaying information on what I saw, and nothing else. However, as has become clear, if I — or any other journalist — want to express a strong opinion on a political matter, I cannot contemporaneously report for a mainstream publication.

* * *

From a New York Times opinion piece written by Rebecca MacKinnon (November 15, 2011):

Adding to the threat to free speech, recent academic research on global Internet censorship has found that in countries where heavy legal liability is imposed on companies, employees tasked with day-to-day censorship jobs have a strong incentive to play it safe and over-censor — even in the case of content whose legality might stand a good chance of holding up in a court of law. Why invite legal hassle when you can just hit “delete”?

The potential for abuse of power through digital networks — upon which we as citizens now depend for nearly everything, including our politics — is one of the most insidious threats to democracy in the Internet age. We live in a time of tremendous political polarization. Public trust in both government and corporations is low, and deservedly so. This is no time for politicians and industry lobbyists in Washington to be devising new Internet censorship mechanisms, adding new opportunities for abuse of corporate and government power over online speech.

by DrMabuse

Mergers, Revelations and Glorious Kooks

The Independent notes that separate literary entities are being killed by their corporate parents. HarperCollins recently killed off Flamingo (home to Ballard, Lessing & Coupland) and Random House threw Harvill into Secker & Warburg, turning it into “Secker Harvill” and forever expunging Warburg, Orwell’s publisher, from the label. When asked about how this will alter diversity, a HarperCollins rep replied, “What do you think literary fiction is? Some kind of affirmative action?” In unrelated news, Bell Curve authors Richard J. Herrnstein and Charles Murray are said to be at work on a new book, The Book Curve, whereby 1,000 pages are devoted to explaining why popular fiction sells more than literary fiction, and proving that some publishing executives have less attention span than the average reader. (via Literary Saloon)

Maud has been interviewed by the Gothamist. Among some of the more interesting revelations: Maud turned down the lead in an Off Broadway revival of The Verdict. Every morning, Maud practices her jujitsu on waterbugs that have a mean height of six feet. (Mr. Maud apparently cowers from anything remotely entomological.) Maud also single-handedly disarmed a posse of Remington-firing Confederates in Brooklyn. She reports that her combat moves were inspired by Carrie-Anne Moss kicking butt in The Matrix.

The Sydney Morning Herald interviews Isabel Allende. Allende’s quite the eccentric: She starts all of her books on January 8, she thinks about Zorro while having sex with her husband, and holes up in her office writing for 8 to 10 hours a day without speaking to a single soul. She also dresses funky, though the Herald couldn’t get specific answers on this end. I wish I was making this paragraph up, but I’m not.

In one of the most anticlimactic journalism moves seen from the Grey Lady this month, the Times reports that the Doyle-Joyce fracas is simmering. Really? 1,000 words to state the obvious in a major newspaper? Sign me up.

The Independent talks to Marjorie Blackman. Her Noughts & Crosses children’s book trilogy examines race relations in an unknown country.

Regina Taylor’s Drowning Crow looks like a fascinating update of Chekhov’s The Seagull. If you’re in New York, it’s playing at the Biltmore. The Times also has a 26-second video excerpt of Alfre Woodard giving Anthony Mackie hell.

And Stephen Fry goes nuts: He’s called the Hilton sisters “a pair of bloody whippets,” Sting “false,” and damns Americans for believing that the key to happiness is thinking about themselves. Unfortunately (or perhaps fortuantely, given the recent Dean demise), Fry wasn’t running for public office.