Kevin Smith’s forthcoming film, Zack and Miri Make a Porno, is, at least for the moment, rated NC-17 “for some graphic sexuality,” pending appeal. What is exceedingly frustrating here is that the MPAA, true to its character, isn’t being transparent about what this “graphic sexuality” entails. Last month, Seth Rogan spilled some details to the press, reporting that the skirmish between Smith and the MPAA apparently involves a sex scene between a man and a woman. And while News Askew reports that the MPAA is now reassessing the current cut of the film for an appeal, there’s been nothing specific about the situation on Kevin Smith’s blog.
The MPAA has gone after Smith before, most notably for Clerks, which was originally slapped with an NC-17 rating merely for its raunchy dialogue. But there’s a larger question here about why the MPAA continues to maintain an antediluvian attitude on “decency.” The young audience who will watch this film will likely get their hands on the unedited version (assuming Smith loses this battle) once it hits DVD. But if Smith were to unload the specifics about his situation, going to the press with the same highly detailed fervor that he has before, he could very well reopen the very important debate on why incredibly violent films like Hostel are slapped with an R, while films featuring the naked human body are considered verboten for the shopping mall crowd. But if he can skirt around the appeal, this may not be an issue.
Remember, friends, this is the same MPAA that gave “Sin City” an R rating for graphic depictions of murder, mutilitation and torture, including a villain’s flesh being fed to dogs. If I recall correctly, the MPAA justified this by saying the film showed all this comic book-style, in shadow and shillouette.
Still, I’ve seen a lot as a longtime movie fan, including films by Pasolini, Peckinpah and Tarantino (and others I’d better not name), and “Sin City” was one of those that nearly made me loose my cookies in the theater. And I *loved* “Sin City.”
Let’s hope this somehow ends both the MPAA’s hypocritical stances on inappropriate material and Kevin Smith’s shitty movies.